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ARRI
ARRI
11.F21
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG
Tuerkenstr. 89
Munich
80799
Germany
+49 89 3809 0
Tuerkenstr. 89
Munich
80799
Germany
+49 89 3809 0
| Hall Number | 11 | |
| Stand Number | 11.F21 |
Innovations from ARRI
ARRI further enlarges the ALEXA family with the new ALEXA Studio camera, featuring an optical viewfinder and 4:3 sensor, and the modular ALEXA M, with a separate camera head. Functionality expands with 120 fps high speed, the ARRI Look Creator app, and enhanced integration with ARRI’s wireless lens control and lens data systems. The cameras are accompanied by a set of affordable and yet high quality zoom lenses, and the Master Prime 135 portrait lens.
ARRI Professional Camera Accessories continue to develop, with new mini accessories including a filter stage for the MMB-2, a Mini Follow Focus, a shoulder pad, and a universal working light.
The latest generation of LED fixtures from ARRI includes focusable LED-based lampheads with a true Fresnel light field for film and television applications. Meanwhile a vast new range of suspension equipment gives ARRI Lighting Solutions even more scope to create turnkey studio solutions. In its famous HMI product range ARRI introduces the ARRISUN 18 EVENT and the M40, another member of the popular ARRIMAX family.
On the DI side, ARRI’s focus remains on the archive market, with a set of unique ARRISCAN options specially developed in cooperation with specialists worldwide for archive and restoration applications.
ARRI further enlarges the ALEXA family with the new ALEXA Studio camera, featuring an optical viewfinder and 4:3 sensor, and the modular ALEXA M, with a separate camera head. Functionality expands with 120 fps high speed, the ARRI Look Creator app, and enhanced integration with ARRI’s wireless lens control and lens data systems. The cameras are accompanied by a set of affordable and yet high quality zoom lenses, and the Master Prime 135 portrait lens.
ARRI Professional Camera Accessories continue to develop, with new mini accessories including a filter stage for the MMB-2, a Mini Follow Focus, a shoulder pad, and a universal working light.
The latest generation of LED fixtures from ARRI includes focusable LED-based lampheads with a true Fresnel light field for film and television applications. Meanwhile a vast new range of suspension equipment gives ARRI Lighting Solutions even more scope to create turnkey studio solutions. In its famous HMI product range ARRI introduces the ARRISUN 18 EVENT and the M40, another member of the popular ARRIMAX family.
On the DI side, ARRI’s focus remains on the archive market, with a set of unique ARRISCAN options specially developed in cooperation with specialists worldwide for archive and restoration applications.
camera lenses
protective bags and cases
wireless camera systems
3D cameras
digital cinematography cameras
film cameras
system cameras including CCU and camera control
lighting and lighting systems
2D graphics
CD and DVD authoring
character/template-driven graphics generators
content creation
high-end 3D graphics and animation
on-air graphics/logo generators
software-only 3D/2D/animation
colour correctors and colour graders
compositing software
digital effects units ? standalone
hardware accelerators and I/O boards
high-end effects NLE
mage keying systems ? stand alone
mainstream networked NLE
NLE ? packaged software
restoration systems
film processing
telecine/datacine/film scanners
playout facilities
dry hire
facilities
manpower
outside broadcast
playout
studio and production
protective bags and cases
wireless camera systems
3D cameras
digital cinematography cameras
film cameras
system cameras including CCU and camera control
lighting and lighting systems
2D graphics
CD and DVD authoring
character/template-driven graphics generators
content creation
high-end 3D graphics and animation
on-air graphics/logo generators
software-only 3D/2D/animation
colour correctors and colour graders
compositing software
digital effects units ? standalone
hardware accelerators and I/O boards
high-end effects NLE
mage keying systems ? stand alone
mainstream networked NLE
NLE ? packaged software
restoration systems
film processing
telecine/datacine/film scanners
playout facilities
dry hire
facilities
manpower
outside broadcast
playout
studio and production
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