Create & Produce – Page 14
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Industry TrendsUEFA goes remote at scale for Euro 2020
UEFA Euro 2020 was always going to be a logistical exercise given the tournament’s pan-continent, 51-match, 4-week schedule, but nothing will surely be as tricky as this edition, which was delayed by a year.
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Industry TrendsBehind the Scenes: In The Heights
Cinematographer Alice Brooks and production designer Nelson Coates capture a colourful Latino vibe for Lin-Manuel Miranda’s upper west side story.
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Industry TrendsBehind the Scenes: Intergalactic
The VFX team behind Sky Original science-fiction Intergalactic drew on nail varnish, quantum mechanics and the odd ‘space chick’ for the design of key sequences.
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Industry TrendsShooting Radio 1’s Big Weekend
With the likes of Coldplay, Ed Sheeran, AJ Tracey and Ann-Marie taking to the stage for Radio 1’s Big Weekend, the challenges of capturing their performances amid coronavirus restrictions also presented new opportunities for the production team.
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Industry TrendsBT Sport goes remote from Porto for UEFA Champions League final
Amid Covid-related travel restrictions and uncertainty, the Champions League Final between Manchester City and Chelsea will provide BT Sport with the perfect opportunity to showcase its ongoing adoption of remote production.
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Industry TrendsBehind the Scenes: Evil Genius 2 cinematic trailer
The cinematic trailer for Rebellion Games’ Evil Genius 2 has all the humour and production values of a Disney Pixar movie, but the way it was created couldn’t be further from the traditional studio workflow. Michael Burns goes behind the scenes to find out how world domination was planned and ...
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Industry TrendsInside Streamland Media’s post-production M&A push
Earlier this week, Streamland Media announced the closing of its acquisition of Technicolor Post and Technicolor VFX. Chief executive Bill Romeo explains the rationale behind the US post firm’s buying spree and why he thinks bigger is better.
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Industry TrendsTransforming production at Vice Media Group
With offices in 35 cities, Vice creates 1700 pieces of content daily across its multiple lines of business - and is now is putting in place production systems to help foster collaboration and unified workflows across the global group. The team in charge of production transformation tell IBC365 what is ...
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Industry TrendsCutting the carbon cost of TV production
With streaming platforms ever hungry for content, demand for TV and film production is set to increase at a phenomenal rate, but in the race to feed our binge-watching, we need to be aware of the impact this activity is having on the planet, writes Michael Burns.
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Industry TrendsHDR and UHD grading: vendors boosting metadata and workflow speed as production cycles intensify
Multiple types of deliverable and workflow have been among the challenges facing vendors working to satisfy soaring demand, particularly for HDR grading, writes David Davies.
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Industry TrendsCameras and lenses: Demand for anamorphic and full frame continues to accelerate
After a brief drop in activity after the pandemic struck last year, demand for cameras and lenses, for production of high-end drama and film in particular, have picked up remarkably quickly, reports David Davies.
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Industry TrendsAudio capture: Manufacturers focus on improving at home and socially distanced recording
Audio vendors have risen to the production challenges of Covid-19 with a flurry of new or updated solutions for recording in the field and at home, writes David Davies.
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Industry TrendsBehind the Scenes: Small Axe
Steve McQueen’s acclaimed series about the West Indian experience in 1970s London doesn’t so much rewrite history as write the community into British history.
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Industry TrendsBehind the Scenes: WandaVision
Marvel’s first scripted series blends its cinematic universe with retro sitcoms and a hint of Hot Fuzz.
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Industry TrendsBroadcast networking: IP migration continues but there’s still plenty of life left in SDI
The pandemic-fuelled shift to remote working has changed the emphasis of IP migration, although it’s clear that SDI will continue to play an important role in broadcast for years to come, writes David Davies.
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Industry TrendsHeard the one about the TV comedy shot in 12K? Sky Deutschland has
A show about the history of comedy for Sky Deutschland’s new thematic HD channel Sky Comedy was shot almost entirely in 12K resolution, no joke.
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Industry TrendsBehind the Scenes: Love & Anarchy
For the team behind Netflix show Love & Anarchy, HDR with Dolby Vision gave the opportunity to explore the kind of textures and subtleties that “made all the difference”.
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