Framestore promotes Theo Jones to Creative Director of AI

NAB 2026 review: “Live immersive production is here, and it’s extraordinary”

Volumetric humans: The next frontier of immersive broadcast storytelling

IABM rebrands as IAMT and launches agentic AI-powered discovery platform

Blackmagic Design unleashes a wave of technologies

Spatial computing: “Instead of showing people a story, you’re letting them inhabit it”

Blackmagic unveils world’s first cinema camera for live immersive production

Behind the scenes: Undertone

From green screen to Unreal worlds: The tech stack driving virtual production

Black Mirror to come to life in immersive experience

Is the race to 6G being driven by necessity, or FOMO?

IBC announces shortlisted 2026 Accelerator projects

Sky Sports ramps up F1 coverage with immersive sidebar

Barbara Ford Grant: “A lot is happening behind closed doors”

Matthew Celia: “I view immersive as the last refuge of focused entertainment”

Kickstart Day 2026: Latest PoCs and partnerships promise most exciting year yet

Virtual thinking: Is education keeping pace with industry requirements?

BSC Expo: “AI is a real b*****d to work with”

Lydia Goomansingh to lead Fremantle's branded entertainment push

Accelerating Innovation Podcast, Ep 10: Changing the Game… Again!

Eurovision set for first-ever live tour

Accelerating Innovation Podcast, Ep 9: Spotlight on Shure – Associate Sponsors

CES 2026: “The ChatGPT moment for physical AI is nearly here”

Content Everywhere: A look back at 2025

BBC Studios and Moonraker VFX partner for immersive experiences

Disney’s Alice Taylor to lead BBC Studios’ AI Creative Lab

Touch the future: Immersive video will soon make its presence felt

From broadcast to braincast: A new frontier for AI-powered advertising

XR Sports Alliance gains new members

Life after Tech Papers: What comes next?

Why expand your IP into games?

Immersive Flashback captures Bastille Day for VR

Accelerating Innovation – Tutorial, Ep 3: How to expand your TV IP using gaming tools and technology

Behind the scenes: The Lost Bus

Latest from Dolby designed to transform sports streaming experience

How loud can you stream? Why sound levels are back on the agenda

PGA’s AR drone breakthrough brings fans closer to the action

Future Tech: Aina Tech previews holographic video tools ahead of launch

Future Tech: Magycal to stream live races with interactive AI features

Enhanced immersion: Exploring creative opportunities with XR and AI

Future Tech: Nagarro to host 17 interactive, real-time demos of AI

IBC Tech Papers: AI, AR, creative identity, and speech improvement in the spotlight

IBC Conference: BBC Sport’s John Murphy on the evolution of virtual studios

Future Tech: V-Nova to showcase latest AI media processing and volumetric video innovations

New Future Tech hub to showcase transformative technology and real-world applications

Precision in post: Stem separation and spectral editing

Virtual production facility Studio Ulster launches

SXSW London: Engagement, futurism and AI collide in East London

Indie partnership to bring next-gen immersive storytelling to London’s Science Museum

Where can XR technology deliver real change?

MAX-R: Interoperable tools for an immersive future

Accelerating innovation – Tutorial, Ep 3: Merging real and virtual worlds in broadcasting

Challenges in delivering holographic communications

Accelerating innovation – Tutorial, Ep 1: Understanding 6G holographics and business adoption

NAB 2025: Selin Kemal, Mo-Sys: “Virtual production is becoming more accessible”

Level up: Addressing the skills gap in virtual production

Harnessing technology and people in immersive design

IBC Accelerators: 2025 finalists unveiled

Versa Studios Manchester opens doors

Setting the stage: Scotland crews up for virtual production

What is volumetric video?

Immersive tech – Tutorial, Ep 3: How to get started with immersive audio

Scouting for the volume

Kickstart Day 2025: Programme celebrates power of collaboration on centenary of TV

Kickstart Day 2025: Evolution of the Control Room wins Project of the Year

Immersive tech – Tutorial, Ep 2: Volumetric video and the future of content production

Immersive tech – Tutorial, Ep 1: Immersive design workflow and creative practice

AI in audio for measuring crowd engagement

Live volumetric streaming: “Volumetric video is better than conventional video”

XR Sports Alliance announces first members

Pinewood to host government-backed R&D lab for creative industries

Virtually untethered: V-Nova replicates game-like freedom for XR video

Digital Catapult: AI innovations to supercharge the creative industries

Neural Radiance Fields – A new approach to 3D modelling

Future predictions – Part I: Broadcasters and suppliers

AI – Tutorial, Ep 2: How to unlock the power of AI in audio

Blackmagic URSA Cine Immersive camera released for pre-order

Tata and Artist One team on connected arenas

Consumer VR market declines in 2024 – report

6G: media should plan for the internet-of-senses

Behind the Scenes: How sound and vision get under the skin in Nickel Boys

Disney sets up unit to lead on AI and mixed reality

Adipat Virdi to lead XR initiatives at Cinesite

Netflix launches ‘Moments’ mobile feature to save and share scenes

Disguise secures £1.2m funding to develop immersive technology

How Brazil’s TV 3.0 will help “close the gap” between broadcast and digital streaming

Apple launches first immersive drama for Vision Pro headset

Closing the gap: Women in Immersive Tech

FC3 names David Kassler as Group CEO

Gamechangers in media: Content and monetization

Extending the boundaries of volumetric video

Riedel launches SAME for smart audio workflows

Native Dante compatibility comes HOME

IBC Accelerators - Evolution of the Control Room: AI assistance unlocks potential for voice-controlled automation

XR – advances in capturing, rendering, and delivering

Revolutionary AI Dubbing solution for record studios and translation agencies

Women-led startups key to bringing diversity to AI

Apple, HBS, Google: Gamechangers highlight latest innovations in VR and discovery

Spaceport: Enhancing Three-dimensional Viewing Experience with AI

Has mobile TV finally arrived?

V-Nova sets up new XR studios division

Dolby exhibits immersive sound solutions

Technical Papers 2024 Session: XR – advances in capturing, rendering, and delivering

Linear Acoustic takes to the AERO

SSL debuts new immersive audio production features

PLAZAMEDIA and MR Factory form Virtual Production partnership

Achtel unveils 9x7 Digital Cinema Camera

Transform Your Media: Create and Share XR content with AI-Powered Tools

IBC2024 Tech Papers: 3GPP SA4 - The media and XR powerhouse for 5G and 6G

IBC2024 Tech Papers: A user-centric approach to facial recognition for TV content

Colour, control and create with Disguise

Cisco pioneers live event broadcasts

Vizrt demonstrates AI-powered immersive tech solutions

Zero Density and Brainstorm highlight advances in immersive extended reality and AR

Trew Audio acquires Pinknoise Systems

Genelec shows how to get ahead in audio

IBC Technical Papers: AI, XR and media provenance among the 2024 highlights

Volumetric video in real time from Emergent

More control across standard networks from DHD

Channel 4 strikes £1.75m deal with Layered Reality

Haivision StreamHub and MoJoPro now available on AWS

Hands on XR studio control from nxtedition

IBC2024 Accelerator Project: Connecting Live Performances of the Future with ULL-AVLM

Virtual Production – Tutorial, Ep 3: - How to set up a virtual production using Unreal Engine

Virtual Production – Tutorial, Ep 1: Empowering storytelling

Virtual Production – Tutorial, Ep 2: Get to grips with LED volumes

IBC Keynote - Benedict Evans: There was a period when mobile was exciting… now smartphones have become boring

Behind the Scenes: The Acolyte goes old school to capture original Star Wars grit

UK general election: Sky News leverages immersive sports studio to transform election night coverage

BBC Ventures invests in immersive live events firm Condense

Remote production and XR technologies drive UK broadcasters’ Euros coverage

Accedo, Qualcomm and HBS form XR Sports Alliance

Volumetric capture: how to bridge the skills gap for broadcast professionals

IBC2024 Accelerator Project: Evolution of the Control Room

Esports – Tutorial, Ep 1: Where are we now?

In the mix: breaking down the complexities of esports audio

Behind the Scenes: 3 Body Problem

Webinar: The collision of gaming and TV: How CTV, streaming and VR are paving the way for new forms of media consumption

Behind the scenes: Silo

Adventures beyond stereo: perfecting the immersive audio mix

Spatial computing and immersion - a new era for volumetric production

Behind the Scenes: True Detective: Night Country

Immersive content for Apple Vision Pro headset unveiled

CES 2024 Review: What We Learned

DTT and Wireless Mics Win Out at WRC23

CES2024 Preview: VR, XR, Transparent Panels and Inevitably, AI

Behind the Scenes: The Killer

ICVFX: Virtual Production enters 2.0

Behind The Scenes: The Creator

Behind the Scenes: Special Ops: Lioness

Behind the Scenes: Kiss The Future

IBC Accelerators: 5G Motion Capture for Live Performance and 3D Animation

Behind the Scenes: Killers Of The Flower Moon

Spaceport: Three-dimensional viewing experience with Freedom

Media and Entertainment Sustainability on the Cloud

Efficient Delivery and Rendering on Client Devices via MPEG-I Standards for Emerging Volumetric Video Experiences

Optimizing the Virtual Reality experience using a 360° view of client and network data

MPEG-I Scene Description: A Dynamic Scene Description Framework for Immersive Media

The future of the metaverse is here

Improving the Broadcast Viewer Experience Through Rapid and Early Elephant Flow Detection by Machine Learning

IBC2023: Esports Showcase to Deliver Next Level Gaming

IBC2023 Accelerator Project: 5G Motion Capture for Performance Art and Animation

Future Tech: XR Sport Throws its Hat in the Ring

MSG Sphere: Not only in Vegas

5G Edge-XR Project: Live Broadcast XR Experiences Using 5G and Cloud-GPU Compute

Helios: Foundations for Peer-to-Peer Social Media Platform for Privacy-Aware People and Prosumers

Data Compression for 6 Degrees of Freedom Virtual Reality Applications

Trailblazing With 8K Live VR at Beijing 2022

Immersive Audio in Large-Scale Sports Production

An Ultra-Low Bitrate Video Conferencing System with Flexible Virtual Access Patterns

Nvidia: Virtual worlds will crop up like websites

No Time To Die: Behind the Scenes with cinematographer Linus Sandgren

Real-time 3D Reconstruction of Dynamic Scenes with Multiple Kinect V2 Sensors

Tools for 6-DoF Immersive Audiovisual Content Capture and Production

Cloud-Based AI for Automatic Audio Production for Personalised Immersive XR Experiences

Immersive Experiences and XR: A game engine or multimedia streaming problem?

What’s next for VR?

The Immersive Audience Experience Evaluation Toolkit

Lessons Learnt During One Year of Commercial Volumetric Video Production

Everyday Photo-Realistic Social VR: Communicate and Collaborate with an Enhanced Co-Presence and Immersion

OMAF4Cloud: Standards-Enabled 360° Video Creation as a Service

Evaluating the Quality of Multi-Camera Video Capture and View-Point Interpolation for 6DoF AR/VR Applications

Advanced Video Compression and Rendering for Highly Immersive 8K+ Applications

AR/VR for Various Viewing Styles in the Future of Broadcasting

Live 360° Video Delivery

4K UHD HDR and Immersive Audio Live Streaming 2018 FIFA World Cup Russia for Samsung Smart TVs App

State-of-the-art of Extended Reality in 5G Networks

Real-time decoding and AR playback of the emerging MPEG video-based point cloud compression standard

Color Management for Cinematic Immersive Experiences

Advanced Volumetric Capture And Processing

Automatic Recognition of Virtual Reality Sickness Based on Physiological Signals

Object-Audio Capture System for Sports Broadcast

Sound and Fury: Bringing Dolby Atmos to the NHRA

Blog: Cyber security & the Metaverse