Banijay UK beefs up in-house post operations

Camerimage: “The time to be afraid of AI was two years ago”

Behind the scenes: Train Dreams

Thelma Schoonmaker: “I have the best job in the world”

Adobe unveils transitions for compelling content and Premiere for iPhone

Phont makes subtitles work harder

IBC2025 to host conference session and special screening of Becoming Led Zeppelin

Thelma Schoonmaker to receive IBC2025 International Honour for Excellence

ScreenSkills e-learning: Pulling back the curtain on post-production

Project NEO: Reimagining the live broadcast model

Precision in post: Stem separation and spectral editing

Mapcreator charts a smarter workflow

Enterprise video boom creates “huge opportunity” for AV vendors - report

ProAV and broadcast: When worlds collide

Behind the scenes: 1992 and the colourist of Seville

AI meets moodboards: Adobe debuts next-gen Firefly tools

Flawless AI: “You can't put new lines in people's mouths without consent”

NAB 2025: Avid’s Craig Wilson on the evolution of mobile tools

Avid adds three senior executives to leadership team

Juno Innovations to bring VFX at scale closer to home

Wary eye on AI: Post cautiously embraces new generation of tools

Oscars 2025: Craft winners

Behind the scenes: Editing Sugar Babies and By Design in Premiere

Flawless launches AI-powered editing tool DeepEditor

Sylvester Stallone invests in film and TV AI platform Largo.ai

Data-driven audio: Why AI is sounding great for everyone

Working conditions in post-production: “It’s a factor in not having children”

The future outlook for video editors

SMPTE names Raymond Yeung as Standards Vice President

Rise of the creator economy – the democratisation of content creation

Legal considerations for AI in production

AI – Tutorial, Ep 3: AI innovations in video editing

Behind the scenes: Bringing live deepfakes to the fore in Here

Behind the scenes - Joker: Folie à Deux

American Cinema Editors (ACE): Job ter Burg on how AI is extending the editor's toolkit

How did Johnnie Burn become an Oscar-winning Sound Designer?

How did the BBC restore and colourise The Daleks 60 years after it first aired?

Behind the Scenes: The Colour Purple

Behind the Scenes: Special Ops: Lioness

Netflix original: Inside Netflix’s post-production operation