Winning combination: How cost and reliability still dictate the future of playout

Hollywood is over: Time for creators to take charge

Behind the scenes: Andor

Enterprise video boom creates “huge opportunity” for AV vendors - report

The use of AI-powered graphics in creation

IBC Accelerators: AI Assistance Agents in Live Production

The Bends: Hollywood studios unite to fast-track Veo 3 education

Mandy Walker elected President of American Society of Cinematographers

AI – Tutorial, Ep 1: How AI tools are transforming graphics and video

Point of ingest: Reshaping media capture and pre‐edit workflows

IBC Accelerators: A Framework for Generative AI in Broadcasting

ITV overhauls production of daytime shows

Google Veo 3 incorporates sound with video

ProAV and broadcast: When worlds collide

Cinesite launches generative AI unit TechX

Behind the scenes: Sinners

MPTS 2025 reveals a media industry struggling to keep pace

Mr Loverman, Mr Bates vs The Post Office lauded at BAFTA TV Awards

Secret Level: Storyboard to screen without ever picking up a camera

Creative Cities Convention: Concern and caution expressed by UK TV over tariff threat

Behind the scenes: 1992 and the colourist of Seville

Trump announces 100% tariff on movies made outside America

BBC recreates Agatha Christie with artificial intelligence

Farnborough International Studios partners with Quite Brilliant for virtual production

Challenges in delivering holographic communications

AI meets moodboards: Adobe debuts next-gen Firefly tools

Banijay in talks about ITV acquisition – reports

Baby Reindeer, Rivals and Slow Horses lead BAFTA Television Craft Awards

Behind the scenes: Warfare

EastEnders wins BAFTA Television Craft Special Award

Accelerating innovation – Tutorial, Ep 1: Understanding 6G holographics and business adoption

Behind the scenes: The Last of Us II

Academy updates artificial intelligence guidance for Oscars

Creating a new sense of place for Welsh media innovation

Flawless AI: “You can't put new lines in people's mouths without consent”

Behind the scenes – Daredevil: Born Again

Fremantle launches AI label Imaginae Studios

NAB 2025: Avid’s Craig Wilson on the evolution of mobile tools

NAB show review: Tariffs, technology and legacy business in the spotlight

Framestore expands creative leadership team

Enginelab and the new breed of cloud post-producer

Saleha Williams: ‘The industry is changing and IABM needs to as well’

Winners announced for RTS Programme Awards 2025

Jellyfish Pictures files for administration

BBC, BT, IMG and ITV fined for colluding on freelance sports rates

Inside virtual production’s latest processing and toolset innovations

Behind the scenes: Squid Game 2

Level up: Addressing the skills gap in virtual production

Avid adds three senior executives to leadership team

Cinesite secures $215m funding package

CVP partners with Joe Ransom to launch short film competition

Behind the scenes: Adolescence

BBC leads nominations for RTS Programme Awards 2025

Balancing act: Insight from UK's leading women-powered M&E businesses

Juno Innovations to bring VFX at scale closer to home

Wary eye on AI: Post cautiously embraces new generation of tools

Oscars 2025: Craft winners

Versa Studios Manchester opens doors

Behind the scenes: Editing Sugar Babies and By Design in Premiere

Edward Lachman wins ASC Outstanding Achievement Award for Maria

Dramatic closure of Technicolor VFX has been decades in the making

DNEG Group’s Brahma acquires AI developer Metaphysic

Immersive tech – Tutorial, Ep 3: How to get started with immersive audio

Scouting for the volume

Flawless launches AI-powered editing tool DeepEditor

Conclave, The Brutalist lead BAFTA winners

AI and live production: Experimentation giving way to well-defined applications

Sylvester Stallone invests in film and TV AI platform Largo.ai

UK film and high-end TV production hit £5.6bn in 2024

ISE2025: Putting the art into artificial intelligence

Industry at risk of skilled worker exodus, warns Film and TV Charity

Data-driven audio: Why AI is sounding great for everyone

Pinewood Studios unveils revised expansion plans

Working conditions in post-production: “It’s a factor in not having children”

London’s newest film and TV campus welcomes first productions

The future outlook for video editors

New tricks: Scriptwriters embrace AI to turn the tables

SMPTE names Raymond Yeung as Standards Vice President

Pinewood to host government-backed R&D lab for creative industries

Oscars preview: Deep dive on nominations in Cinematography, Editing and VFX

97th Academy Awards: Emilia Pérez leads with 13 nominations

Rise of the creator economy – the democratisation of content creation

Legal considerations for AI in production

Behind the scenes: A Complete Unknown

Conclave leads nominations for 2025 BAFTA Film Awards

Report highlights risks to human rights across UK post-production sector

Virtually untethered: V-Nova replicates game-like freedom for XR video

Behind the scenes: The Brutalist

Digital Catapult: AI innovations to supercharge the creative industries

Neural Radiance Fields – A new approach to 3D modelling

AI – Tutorial, Ep 3: AI innovations in video editing

Neil Hatton, Steve Morrison and Amanda Berry win New Year Honours

Behind the scenes: Bringing live deepfakes to the fore in Here

AI – Tutorial, Ep 1: How to build AI tools into your video production workflow

RSIFF: Kingdom underlines ambitions to become filmmaking powerhouse

BBC, Netflix lead way at RTS Craft & Design Awards

Behind the Scenes: Gladiator II

Behind the scenes - Joker: Folie à Deux

UK industry welcomes enhanced VFX tax incentive

Behind the Scenes: Anora

Be Seen. Be Heard : Building Resilience and Opening Access for Emerging Talent

Pinewood to launch Indie Film Hub

Modelling intent: How evolution of AI will turbocharge creative capabilities

VFX At The Edge: Adapting to the unpredictable challenges of modern production featuring Framestore

Behind the Scenes: SFX and dynamic lighting merge worlds in Beetlejuice Beetlejuice

Extending the boundaries of volumetric video

French VFX house The Yard launches London studio

XR – advances in capturing, rendering, and delivering

Shogun leads Emmy award winners

Improving WPE’s graphics pipeline

Facilis Technology demos turn-key servers and software

Avid updates advanced post tools

Technical Papers 2024 Session: XR – advances in capturing, rendering, and delivering

American Cinema Editors (ACE): Job ter Burg on how AI is extending the editor's toolkit

IBC2024 Tech Papers: Advancements in Radiance Field Techniques for Volumetric Video Generation: A Technical Overview

IBC2024 Tech Papers: Nerf based 3D generative video conferencing system

AWS Village: Kaltura

IBC Technical Papers: AI, XR and media provenance among the 2024 highlights

Volumetric video in real time from Emergent

Basilic Fly Studios takes stake in VFX house One of Us

Virtual Production – Tutorial, Ep 3: - How to set up a virtual production using Unreal Engine

Virtual Production – Tutorial, Ep 1: Empowering storytelling

Behind the Scenes: The Acolyte goes old school to capture original Star Wars grit

DNEG Group secures $200m investment from United Al Saqer Group

AI – Tutorial, Ep 3: Gen AI in practice - deep dive on deep fakes

Virtual production: learning the trade at the National Film and Television School

People & Purpose – Tutorial, Ep 3: Calculating, reducing and improving your impact on biodiversity

Behind the Scenes: Eric

Adobe’s Deepa Subramaniam: How AI video will shake up post production

Behind the Scenes: Civil War

Behind the Scenes: 3 Body Problem

How did Johnnie Burn become an Oscar-winning Sound Designer?

How did the BBC restore and colourise The Daleks 60 years after it first aired?

Oscars 2024: WWII narratives feature heavily at this year’s Academy Awards

Behind the Scenes: After the Flood

Synthetic-based humans: a solution to talent shortages or threat to skilled jobs?

Behind the Scenes: Percy Jackson and the Olympians

Behind the Scenes: The Zone of Interest

Behind the Scenes: True Detective: Night Country

Behind the Scenes: Poor Things

Behind the Scenes: The Colour Purple

Behind the Scenes: Society of the Snow

Lifeline for UK VFX Facilities in Promised Tax Break

UK’s VFX Industry in Line for Additional Tax Relief

Behind the Scenes: The Killer

Behind The Scenes: The Creator

Behind the Scenes: Special Ops: Lioness

Behind the Scenes: Kiss The Future

Behind the Scenes: Killers Of The Flower Moon

PFX, a leading Full Service Post-Production Studio, Streamlines its services with Qumulo's Centralized Approach

Generative AI enhances CGI’s OpenMedia story

Behind the Scenes: Mission: Impossible - Dead Reckoning Part One

NAB 2023: Mathieu Yerle, Chyron

NAB 2023: Nicolas Bourdon, EVS

Guillermo del Toro’s Pinocchio – Behind the Scenes

American Cinema Editors Present: Paul Machliss, ACE in conversation with Carolyn Giardina

Behind The Scenes: Heartstopper

No Time To Die: Behind the Scenes with cinematographer Linus Sandgren

Behind the Scenes: The French Dispatch

Behind the Scenes: Mank

Behind the scenes: Avatar 2 and 3

Behind the scenes: John Wick 3

Netflix original: Inside Netflix’s post-production operation

Behind the scenes: Dumbo