Exploration of AI-assisted asset tools in VFX production pipelines

The causal edit: A Pearlian framework for narrative logic in AI editing systems

Live translation hits prime time

Moments Lab’s AI turns back catalogues into TikToks

EVO answers the need for speed

Black Goblin to debut Thol AI-assisted audio spotting tool at IBC2026

Profuz Digital launches new media management and subtitle tools

Workflow transformation: “AI should be for reliability, not creativity”

From AI production to immersive media: European innovators to watch at IBC2026

KAI to launch AI storytelling trials at IBC2026

Behind the scenes: La Vida y Tal

AI highlight detection headlines Solveig’s IBC line-up

Projective expands Strawberry with AI search

WBD’s Alex Dinnin: “It was love at first sight, and it still is”

Netflix uses GenAI on 300 titles in 2026

Behind the Scenes: The Odyssey

The immersive supervisor: A new role for a new Hollywood

LucidLink brings the camera to the timeline

Wimbledon 2026: ESPN gears up for record breaking year

Adobe to acquire AI firm Topaz Labs

Camden Film Quarter receives planning approval

KICK: Writing the rules of high-altitude immersive production

Behind the scenes: Spider-Noir

From screens to spaces: The rise of immersive experiences in live events

Creator takeover at MPTS: “You’re competing for tiny slices of attention”

Hybrid AI VFX creative studio The Next Valley launches

Behind the scenes: Eurovision Song Contest 2026

Film and TV Charity launches 2026 Looking Glass Survey

Framestore promotes Theo Jones to Creative Director of AI

Mathieu Kassovitz tells filmmakers: “Adapt or die”

UK screen industry must invest more in mid-level professionals, ScreenSkills reports

World AI Film Festival: “There is no emotion in AI”

Luma, Wonder Project, and AWS launch AI production services company

NAB 2026 technology round-up: “The biggest shifts in media are no longer theoretical”

NAB 2026 review: “Live immersive production is here, and it’s extraordinary”

Behind the scenes: Rooster

Calrec and Grass Valley partner to virtualise audio workflows

Blackmagic Design unleashes a wave of technologies

Avid and Google Cloud partner to bring agentic AI for media production

Spatial computing: “Instead of showing people a story, you’re letting them inhabit it”

Thomas Riedel acquires Arri

Building Bedlam: “Can I shoot an entire feature film on 65mm?”

How vertical video became the new frontline for live sports

From green screen to Unreal worlds: The tech stack driving virtual production

Software studios: How inevitable is fully software-defined production?

Crafting suspense: “We wanted to raise the bar again”

Netflix opens visual effects studio in India

Oscars 2026: Contender breakdown for cinematography, editing and VFX

Sound body AMPS calls out impact of noisy LED film lighting

Behind the Scenes: Sentimental Value

Barbara Ford Grant: “A lot is happening behind closed doors”

Avatar: Fire and Ash leads at Visual Effects Society awards

Charity publishes set of principles for mentally healthy productions

Creator. Experience. Streaming: The new economies of broadcast AV

Major League Volleyball partners with LTN

Base FX opens London studio

MovieLabs: Creating an industry-aligned vision for the future of media creation

Using genAI to build brand-safe creative

Behind the scenes: Hamnet

AI – Tutorial, Ep 3: Moving from unpredictable genAI to controlled creative workflows

UK facilities Halo Post and Evolutions placed into administration

Behind the scenes: The Running Man

Luma AI to launch London office headed by Jason Day

Banijay UK beefs up in-house post operations

Rory Peck Awards: Truth has never needed its defenders more

Camerimage: “The time to be afraid of AI was two years ago”

BBC Studios and Moonraker VFX partner for immersive experiences

Sony launches virtual production studio at Norwich University

Phantom Media Group launches to house five VFX studios, including Milk and Lola Post

Visual effects studio The Mill returns

Netflix to merge Scanline VFX and Eyeline Studios

Behind the scenes: Train Dreams

Netflix teams with Guillermo del Toro and Gobelins Paris on stop-motion studio

Behind the scenes: It Was Just an Accident

Behind the scenes: The Lost Bus

Nicolas Winding Refn: “If you mass produce nothingness, why would anyone care?”

How to use HTML graphics today

Accelerating Innovation – Tutorial, Ep 1: How to develop modular end-to-end HTML graphics workflows

From pixels to projectors: Recreating Minecraft’s voxelised world for the big screen

How loud can you stream? Why sound levels are back on the agenda

Thelma Schoonmaker: “I have the best job in the world”

PGA’s AR drone breakthrough brings fans closer to the action

Reference-free measurement of dialog intelligibility in (post)-production, content analyses, and live broadcast applications

Adobe unveils transitions for compelling content and Premiere for iPhone

Phont makes subtitles work harder

Future Tech: CaptionHub to launch a suite of transcription tools at IBC2025

Future Tech: Aina Tech previews holographic video tools ahead of launch

Future Tech: Iyuno to announce localising subtitle system

Future Tech: Baron Weather to display 3D weather visualisation technology

IBC2025 to host conference session and special screening of Becoming Led Zeppelin

Envy acquires Halo to create major post-production group

Virtual production is here: Lean into the learning curve

Chaos to present AI-powered path tracer for virtual production at IBC2025

Thelma Schoonmaker to receive IBC2025 International Honour for Excellence

ScreenSkills e-learning: Pulling back the curtain on post-production

Polar Graphics to launch LTO archive expansion at IBC2025

Phantom Digital Effects acquires Milk Visual Effects and Lola Post

On the box: Harnessing sustainable set technology for Treehouse

VFX studio Glassworks to close

Streamlining workflows with FilmLight Nara

Global VFX and animation workforce grows

Project NEO: Reimagining the live broadcast model

Netflix embraces generative AI for Argentine TV series

Precision in post: Stem separation and spectral editing

Video replicants and the drive for ethical LLMs

Mapcreator charts a smarter workflow

Behind the Scenes: Jurassic World Rebirth

Practical tips for storyboarding with AI

UK government unveils £380m Creative Industries Sector Plan

Virtual production facility Studio Ulster launches

AI – Tutorial, Ep 3: Practical AI tips for filmmaking

Behind the scenes: How to Train Your Dragon

DAZN and IMG kick off FIFA Club World Cup

Resistance may be futile: Animators unite to fight and work with AI

Loneliness driving poor mental health in film and TV industry

Winning combination: How cost and reliability still dictate the future of playout

Hollywood is over: Time for creators to take charge

Behind the scenes: Andor

Enterprise video boom creates “huge opportunity” for AV vendors - report

The use of AI-powered graphics in creation

IBC Accelerators: AI Agent Assistants for Live Production

The Bends: Hollywood studios unite to fast-track Veo 3 education

Mandy Walker elected President of American Society of Cinematographers

AI – Tutorial, Ep 1: How AI tools are transforming graphics and video

Point of ingest: Reshaping media capture and pre‐edit workflows

IBC Accelerators: A Framework for Generative AI in Broadcasting

Google Veo 3 incorporates sound with video

ITV overhauls production of daytime shows

ProAV and broadcast: When worlds collide

Cinesite launches generative AI unit TechX

Behind the scenes: Sinners

MPTS 2025 reveals a media industry struggling to keep pace

Mr Loverman, Mr Bates vs The Post Office lauded at BAFTA TV Awards

Secret Level: Storyboard to screen without ever picking up a camera

Creative Cities Convention: Concern and caution expressed by UK TV over tariff threat

Behind the scenes: 1992 and the colourist of Seville

Trump announces 100% tariff on movies made outside America

BBC recreates Agatha Christie with artificial intelligence

Farnborough International Studios partners with Quite Brilliant for virtual production

Challenges in delivering holographic communications

AI meets moodboards: Adobe debuts next-gen Firefly tools

Banijay in talks about ITV acquisition – reports

Baby Reindeer, Rivals and Slow Horses lead BAFTA Television Craft Awards

Behind the scenes: Warfare

EastEnders wins BAFTA Television Craft Special Award

Accelerating innovation – Tutorial, Ep 1: Understanding 6G holographics and business adoption

Behind the scenes: The Last of Us II

Academy updates artificial intelligence guidance for Oscars

Creating a new sense of place for Welsh media innovation

Flawless AI: “You can't put new lines in people's mouths without consent”

Behind the scenes – Daredevil: Born Again

Fremantle launches AI label Imaginae Studios

NAB 2025: Avid’s Craig Wilson on the evolution of mobile tools

NAB show review: Tariffs, technology and legacy business in the spotlight

Framestore expands creative leadership team

Enginelab and the new breed of cloud post-producer

Saleha Williams: ‘The industry is changing and IABM needs to as well’

Winners announced for RTS Programme Awards 2025

Jellyfish Pictures files for administration

BBC, BT, IMG and ITV fined for colluding on freelance sports rates

Inside virtual production’s latest processing and toolset innovations

Behind the scenes: Squid Game 2

Level up: Addressing the skills gap in virtual production

Avid adds three senior executives to leadership team

Cinesite secures $215m funding package

CVP partners with Joe Ransom to launch short film competition

Behind the scenes: Adolescence

BBC leads nominations for RTS Programme Awards 2025

Balancing act: Insight from UK's leading women-powered M&E businesses

Juno Innovations to bring VFX at scale closer to home

Wary eye on AI: Post cautiously embraces new generation of tools

Oscars 2025: Craft winners

Versa Studios Manchester opens doors

Behind the scenes: Editing Sugar Babies and By Design in Premiere

Edward Lachman wins ASC Outstanding Achievement Award for Maria

Dramatic closure of Technicolor VFX has been decades in the making

DNEG Group’s Brahma acquires AI developer Metaphysic

Immersive tech – Tutorial, Ep 3: How to get started with immersive audio

Scouting for the volume

Flawless launches AI-powered editing tool DeepEditor

Conclave, The Brutalist lead BAFTA winners

AI and live production: Experimentation giving way to well-defined applications

Sylvester Stallone invests in film and TV AI platform Largo.ai

UK film and high-end TV production hit £5.6bn in 2024

ISE2025: Putting the art into artificial intelligence

Industry at risk of skilled worker exodus, warns Film and TV Charity

Data-driven audio: Why AI is sounding great for everyone

Pinewood Studios unveils revised expansion plans

Working conditions in post-production: “It’s a factor in not having children”

London’s newest film and TV campus welcomes first productions

The future outlook for video editors

New tricks: Scriptwriters embrace AI to turn the tables

SMPTE names Raymond Yeung as Standards Vice President

Pinewood to host government-backed R&D lab for creative industries

Oscars preview: Deep dive on nominations in Cinematography, Editing and VFX

97th Academy Awards: Emilia Pérez leads with 13 nominations

Rise of the creator economy – the democratisation of content creation

Legal considerations for AI in production

Behind the scenes: A Complete Unknown

Conclave leads nominations for 2025 BAFTA Film Awards

Report highlights risks to human rights across UK post-production sector

Virtually untethered: V-Nova replicates game-like freedom for XR video

Behind the scenes: The Brutalist

Digital Catapult: AI innovations to supercharge the creative industries

Neural Radiance Fields – A new approach to 3D modelling

AI – Tutorial, Ep 3: AI innovations in video editing

Neil Hatton, Steve Morrison and Amanda Berry win New Year Honours

Behind the scenes: Bringing live deepfakes to the fore in Here

AI – Tutorial, Ep 1: How to build AI tools into your video production workflow

RSIFF: Kingdom underlines ambitions to become filmmaking powerhouse

BBC, Netflix lead way at RTS Craft & Design Awards

Behind the Scenes: Gladiator II

Behind the scenes - Joker: Folie à Deux

UK industry welcomes enhanced VFX tax incentive

Behind the Scenes: Anora

Be Seen. Be Heard : Building Resilience and Opening Access for Emerging Talent

Pinewood to launch Indie Film Hub

Modelling intent: How evolution of AI will turbocharge creative capabilities

VFX At The Edge: Adapting to the unpredictable challenges of modern production featuring Framestore

Behind the Scenes: SFX and dynamic lighting merge worlds in Beetlejuice Beetlejuice

Extending the boundaries of volumetric video

French VFX house The Yard launches London studio

XR – advances in capturing, rendering, and delivering

Shogun leads Emmy award winners

Improving WPE’s graphics pipeline

Facilis Technology demos turn-key servers and software

Avid updates advanced post tools

Technical Papers 2024 Session: XR – advances in capturing, rendering, and delivering

American Cinema Editors (ACE): Job ter Burg on how AI is extending the editor's toolkit

IBC2024 Tech Papers: Advancements in Radiance Field Techniques for Volumetric Video Generation: A Technical Overview

IBC2024 Tech Papers: Nerf based 3D generative video conferencing system

AWS Village: Kaltura

IBC Technical Papers: AI, XR and media provenance among the 2024 highlights

Volumetric video in real time from Emergent

Basilic Fly Studios takes stake in VFX house One of Us

Virtual Production – Tutorial, Ep 3: - How to set up a virtual production using Unreal Engine

Virtual Production – Tutorial, Ep 1: Empowering storytelling

Behind the Scenes: The Acolyte goes old school to capture original Star Wars grit

DNEG Group secures $200m investment from United Al Saqer Group

AI – Tutorial, Ep 3: Gen AI in practice - deep dive on deep fakes

Virtual production: learning the trade at the National Film and Television School

People & Purpose – Tutorial, Ep 3: Calculating, reducing and improving your impact on biodiversity

Behind the Scenes: Eric

Adobe’s Deepa Subramaniam: How AI video will shake up post production

Behind the Scenes: Civil War

Behind the Scenes: 3 Body Problem

How did Johnnie Burn become an Oscar-winning Sound Designer?

How did the BBC restore and colourise The Daleks 60 years after it first aired?

Oscars 2024: WWII narratives feature heavily at this year’s Academy Awards

Behind the Scenes: After the Flood

Synthetic-based humans: a solution to talent shortages or threat to skilled jobs?

Behind the Scenes: Percy Jackson and the Olympians

Behind the Scenes: The Zone of Interest

Behind the Scenes: True Detective: Night Country

Behind the Scenes: Poor Things

Behind the Scenes: The Colour Purple

Behind the Scenes: Society of the Snow

Lifeline for UK VFX Facilities in Promised Tax Break

UK’s VFX Industry in Line for Additional Tax Relief

Behind the Scenes: The Killer

Behind The Scenes: The Creator

Behind the Scenes: Special Ops: Lioness

Behind the Scenes: Kiss The Future

Behind the Scenes: Killers Of The Flower Moon

A subjective study of film grain synthesis for the preservation of creative intent

PFX, a leading Full Service Post-Production Studio, Streamlines its services with Qumulo's Centralized Approach

Generative AI enhances CGI’s OpenMedia story

Behind the Scenes: Mission: Impossible - Dead Reckoning Part One

NAB 2023: Mathieu Yerle, Chyron

NAB 2023: Nicolas Bourdon, EVS

Guillermo del Toro’s Pinocchio – Behind the Scenes

American Cinema Editors Present: Paul Machliss, ACE in conversation with Carolyn Giardina

Behind The Scenes: Heartstopper

No Time To Die: Behind the Scenes with cinematographer Linus Sandgren

Mastering Quantization is key for video compression

Behind the Scenes: The French Dispatch

Behind the Scenes: Mank

Behind the scenes: Avatar 2 and 3

Behind the scenes: John Wick 3

Netflix original: Inside Netflix’s post-production operation

Behind the scenes: Dumbo