MovieLabs: Creating an industry-aligned vision for the future of media creation

UK facilities Halo Post and Evolutions placed into administration

Behind the scenes: The Running Man

Camerimage: “The time to be afraid of AI was two years ago”

BBC Studios and Moonraker VFX partner for immersive experiences

Sony launches virtual production studio at Norwich University

Phantom Media Group launches to house five VFX studios, including Milk and Lola Post

Visual effects studio The Mill returns

Netflix to merge Scanline VFX and Eyeline Studios

Netflix teams with Guillermo del Toro and Gobelins Paris on stop-motion studio

Behind the scenes: It Was Just an Accident

Behind the scenes: The Lost Bus

How to use HTML graphics today

Accelerating Innovation – Tutorial, Ep 1: How to develop modular end-to-end HTML graphics workflows

From pixels to projectors: Recreating Minecraft’s voxelised world for the big screen

Future Tech: Aina Tech previews holographic video tools ahead of launch

Future Tech: Baron Weather to display 3D weather visualisation technology

Envy acquires Halo to create major post-production group

Virtual production is here: Lean into the learning curve

ScreenSkills e-learning: Pulling back the curtain on post-production

Phantom Digital Effects acquires Milk Visual Effects and Lola Post

On the box: Harnessing sustainable set technology for Treehouse

VFX studio Glassworks to close

Global VFX and animation workforce grows

Netflix embraces generative AI for Argentine TV series

Video replicants and the drive for ethical LLMs

Behind the Scenes: Jurassic World Rebirth

Virtual production facility Studio Ulster launches

Behind the scenes: How to Train Your Dragon

Resistance may be futile: Animators unite to fight and work with AI

Behind the scenes: Andor

The use of AI-powered graphics in creation

The Bends: Hollywood studios unite to fast-track Veo 3 education

AI – Tutorial, Ep 1: How AI tools are transforming graphics and video

Google Veo 3 incorporates sound with video

Cinesite launches generative AI unit TechX

Behind the scenes: Sinners

Secret Level: Storyboard to screen without ever picking up a camera

Trump announces 100% tariff on movies made outside America

Farnborough International Studios partners with Quite Brilliant for virtual production

Baby Reindeer, Rivals and Slow Horses lead BAFTA Television Craft Awards

Behind the scenes: Warfare

Creating a new sense of place for Welsh media innovation

Fremantle launches AI label Imaginae Studios

NAB show review: Tariffs, technology and legacy business in the spotlight

Framestore expands creative leadership team

Enginelab and the new breed of cloud post-producer

Jellyfish Pictures files for administration

Inside virtual production’s latest processing and toolset innovations

Behind the scenes: Squid Game 2

Level up: Addressing the skills gap in virtual production

Cinesite secures $215m funding package

Juno Innovations to bring VFX at scale closer to home

Wary eye on AI: Post cautiously embraces new generation of tools

Oscars 2025: Craft winners

Versa Studios Manchester opens doors

Dramatic closure of Technicolor VFX has been decades in the making

DNEG Group’s Brahma acquires AI developer Metaphysic

Conclave, The Brutalist lead BAFTA winners

Pinewood Studios unveils revised expansion plans

New tricks: Scriptwriters embrace AI to turn the tables

SMPTE names Raymond Yeung as Standards Vice President

Oscars preview: Deep dive on nominations in Cinematography, Editing and VFX

97th Academy Awards: Emilia Pérez leads with 13 nominations

Conclave leads nominations for 2025 BAFTA Film Awards

Digital Catapult: AI innovations to supercharge the creative industries

Neil Hatton, Steve Morrison and Amanda Berry win New Year Honours

Behind the scenes: Bringing live deepfakes to the fore in Here

UK industry welcomes enhanced VFX tax incentive

Modelling intent: How evolution of AI will turbocharge creative capabilities

VFX At The Edge: Adapting to the unpredictable challenges of modern production featuring Framestore

Behind the Scenes: SFX and dynamic lighting merge worlds in Beetlejuice Beetlejuice

French VFX house The Yard launches London studio

Basilic Fly Studios takes stake in VFX house One of Us

Virtual Production – Tutorial, Ep 3: - How to set up a virtual production using Unreal Engine

Virtual Production – Tutorial, Ep 1: Empowering storytelling

Behind the Scenes: The Acolyte goes old school to capture original Star Wars grit

DNEG Group secures $200m investment from United Al Saqer Group

Behind the Scenes: Eric

Adobe’s Deepa Subramaniam: How AI video will shake up post production

Behind the Scenes: Civil War

Behind the Scenes: 3 Body Problem

Behind the Scenes: Percy Jackson and the Olympians

Behind the Scenes: True Detective: Night Country

Behind the Scenes: Poor Things

Behind the Scenes: The Colour Purple

Behind the Scenes: Society of the Snow

Lifeline for UK VFX Facilities in Promised Tax Break

UK’s VFX Industry in Line for Additional Tax Relief

Behind the Scenes: The Killer

Behind The Scenes: The Creator

Behind the Scenes: Kiss The Future

Behind the Scenes: Killers Of The Flower Moon

Generative AI enhances CGI’s OpenMedia story

Behind the Scenes: Mission: Impossible - Dead Reckoning Part One

Guillermo del Toro’s Pinocchio – Behind the Scenes

American Cinema Editors Present: Paul Machliss, ACE in conversation with Carolyn Giardina

Behind The Scenes: Heartstopper

No Time To Die: Behind the Scenes with cinematographer Linus Sandgren

Behind the Scenes: The French Dispatch

Behind the Scenes: Mank

Behind the scenes: Avatar 2 and 3

Behind the scenes: John Wick 3

Netflix original: Inside Netflix’s post-production operation

Behind the scenes: Dumbo