Cinesite launches generative AI unit TechX

Behind the scenes: Sinners

Secret Level: Storyboard to screen without ever picking up a camera

Trump announces 100% tariff on movies made outside America

Farnborough International Studios partners with Quite Brilliant for virtual production

Baby Reindeer, Rivals and Slow Horses lead BAFTA Television Craft Awards

Behind the scenes: Warfare

Creating a new sense of place for Welsh media innovation

Fremantle launches AI label Imaginae Studios

NAB show review: Tariffs, technology and legacy business in the spotlight

Framestore expands creative leadership team

Enginelab and the new breed of cloud post-producer

Jellyfish Pictures files for administration

Inside virtual production’s latest processing and toolset innovations

Behind the scenes: Squid Game 2

Level up: Addressing the skills gap in virtual production

Cinesite secures $215m funding package

Juno Innovations to bring VFX at scale closer to home

Wary eye on AI: Post cautiously embraces new generation of tools

Oscars 2025: Craft winners

Versa Studios Manchester opens doors

Dramatic closure of Technicolor VFX has been decades in the making

DNEG Group’s Brahma acquires AI developer Metaphysic

Conclave, The Brutalist lead BAFTA winners

Pinewood Studios unveils revised expansion plans

New tricks: Scriptwriters embrace AI to turn the tables

SMPTE names Raymond Yeung as Standards Vice President

Oscars preview: Deep dive on nominations in Cinematography, Editing and VFX

97th Academy Awards: Emilia Pérez leads with 13 nominations

Conclave leads nominations for 2025 BAFTA Film Awards

Digital Catapult: AI innovations to supercharge the creative industries

Neil Hatton, Steve Morrison and Amanda Berry win New Year Honours

Behind the scenes: Bringing live deepfakes to the fore in Here

UK industry welcomes enhanced VFX tax incentive

Modelling intent: How evolution of AI will turbocharge creative capabilities

VFX At The Edge: Adapting to the unpredictable challenges of modern production featuring Framestore

Behind the Scenes: SFX and dynamic lighting merge worlds in Beetlejuice Beetlejuice

French VFX house The Yard launches London studio

Basilic Fly Studios takes stake in VFX house One of Us

Virtual Production – Tutorial, Ep 3: - How to set up a virtual production using Unreal Engine

Virtual Production – Tutorial, Ep 1: Empowering storytelling

Behind the Scenes: The Acolyte goes old school to capture original Star Wars grit

DNEG Group secures $200m investment from United Al Saqer Group

Behind the Scenes: Eric

Adobe’s Deepa Subramaniam: How AI video will shake up post production

Behind the Scenes: Civil War

Behind the Scenes: 3 Body Problem

Behind the Scenes: Percy Jackson and the Olympians

Behind the Scenes: True Detective: Night Country

Behind the Scenes: Poor Things

Behind the Scenes: The Colour Purple

Behind the Scenes: Society of the Snow

Lifeline for UK VFX Facilities in Promised Tax Break

UK’s VFX Industry in Line for Additional Tax Relief

Behind the Scenes: The Killer

Behind The Scenes: The Creator

Behind the Scenes: Kiss The Future

Behind the Scenes: Killers Of The Flower Moon

Generative AI enhances CGI’s OpenMedia story

Behind the Scenes: Mission: Impossible - Dead Reckoning Part One

Guillermo del Toro’s Pinocchio – Behind the Scenes

American Cinema Editors Present: Paul Machliss, ACE in conversation with Carolyn Giardina

Behind The Scenes: Heartstopper

No Time To Die: Behind the Scenes with cinematographer Linus Sandgren

Behind the Scenes: The French Dispatch

Behind the Scenes: Mank

Behind the scenes: Avatar 2 and 3

Behind the scenes: John Wick 3

Netflix original: Inside Netflix’s post-production operation

Behind the scenes: Dumbo