Italian Mediaset Group has secured an additional stake in Germany’s ProSiebenSat.1 Media achieving an “important milestone for its pan-European portfolio.”
Technicolor has named former Eir boss Richard Moat as its new CEO, replacing Frédéric Rose.
The DPP has released a new report challenging the media and entertainment industry to collaborate more on localisation.
The IABM has opened entries for its annual awards which recognise and reward exceptional talent and dedication.
In this paper, GLOBO introduces a novel algorithm responsible for the automatic thumbnail selection of drama series content published on OTT platform Globoplay.
The IABM has announced Skyline Communications has become the latest company to upgrade to Platinum membership level.
As head of broadcast and entertainment for the UK & Ireland in Google’s Strategic Partnerships team, Justin Gupta, who is also part of IBC’s Content Steering Group, explains how the group has strived for a better gender balance throughout this year’s conference programme.
Mainstream media must balance creativity and diversity, with LGBT visibility particularly low across the broadcasting industry, and authenticity key according to TV and radio presenter Stephanie Hirst.
While it was obvious that it’s evolution, rather than revolution, which took a front seat throughout Halls 10 and 11, it was just as clear that new technologies are leading the industry forward.
Broadcaster, writer and campaigner June Sarpong has been named as the BBC’s new director of creative diversity.
Trust, diversity and content investment are key priorities for leading TV executives from Netflix, Sky, UK, C4, ITV and BBC who spoke during the RTS Cambridge Convention last week.
IBC2019: Many media technology companies are still too straight and male and should follow the example of broadcasters such as Channel 4, by setting up corporate LGBT networking groups to encourage diversity.
IBC2019: In this complex and rapidly evolving industry, close relationships between media firms and their suppliers are essential, and IBC2019 is the place to forge those ties, writes Peter White.
IBC2019: The IABM, which began re-inventing itself seven years ago, has now totally shredded its ‘trad tech’ origins with a Global Engaged Partner program aimed at attracting influential end users.
As IBC2019 opens IBC CEO Michael Crimp looks at some of the key themes that will impact this year’s shows.
IBC is run by the industry, for the industry – meet the partner bodies who help make IBC a reality.
Ahead of IBC2019, six industry experts join an IBC365 webinar to share the must-see features and events for the show next week, and offer the top hacks to make the most of your time in Amsterdam.
The industry continues to split discussions about technology and business practice, but this discourse needs to change, says DPP managing director Mark Harrison.
Artificial intelligence has been heralded as the enabling technology of our age with applications transforming production and delivery set to boost the entire broadcasting industry.
IABM has unveiled the key themes of its 2019 Annual International Business Conference and Awards will be Change, Innovate and Adapt.
As advocacy group, Rise, enters its second year championing and supporting women in the broadcasting industry, IBC365 speaks with participants from Avid, BT and Deluxe.
Broadcasters are dealing with greater volumes and types of content all the time – meaning ‘shopping lists’ for media asset management systems are becoming increasingly precise
As consumers navigate the crowded OTT and linear TV market, traditional broadcasters are also looking to diversify and add value beyond their core offering.
The shift to 4K and 8K production has required improvements downstream, with those involved in managing and manipulating images in need of greater processing power and increased storage.
NAB 2019: Virtual set solutions powered by games engines proved a big draw for the live broadcast as well as the scripted market.
Ahead of the final season of Game of Thrones premiering on Sunday (14 April), Adrian Pennington looks at the huge security operation to prevent it from being pirated and previews the epic battle scenes and visual effects that lie at the heart of the franchise finale.
Eurovision Media Services’ new remote graphic overlay solution can make event coverage more attractive to rights holders and sponsors, says Michele Gosetti, Head of Global Sales at EMS.
Belden’s decision to buy SAM and combine it with Grass Valley continues a long history of acquisitions for both companies, but what are the challenges in merging the firms and what does the deal mean for the wider industry?
Forensic watermarking is a process of embedding a unique identifier for each streaming video session into the video content.
As the sole public broadcaster in Japan, NHK strives to rectify the so-called information gap that creates social barriers.