As advocacy group, Rise, enters its second year championing and supporting women in the broadcasting industry, IBC365 speaks with participants from Avid, BT and Deluxe.
Broadcasters are dealing with greater volumes and types of content all the time – meaning ‘shopping lists’ for media asset management systems are becoming increasingly precise
As consumers navigate the crowded OTT and linear TV market, traditional broadcasters are also looking to diversify and add value beyond their core offering.
The shift to 4K and 8K production has required improvements downstream, with those involved in managing and manipulating images in need of greater processing power and increased storage.
NAB 2019: Virtual set solutions powered by games engines proved a big draw for the live broadcast as well as the scripted market.
Ahead of the final season of Game of Thrones premiering on Sunday (14 April), Adrian Pennington looks at the huge security operation to prevent it from being pirated and previews the epic battle scenes and visual effects that lie at the heart of the franchise finale.
Eurovision Media Services’ new remote graphic overlay solution can make event coverage more attractive to rights holders and sponsors, says Michele Gosetti, Head of Global Sales at EMS.
Belden’s decision to buy SAM and combine it with Grass Valley continues a long history of acquisitions for both companies, but what are the challenges in merging the firms and what does the deal mean for the wider industry?
Forensic watermarking is a process of embedding a unique identifier for each streaming video session into the video content.
As the sole public broadcaster in Japan, NHK strives to rectify the so-called information gap that creates social barriers.