IBC2019: What to see and expect at the conference and exhibition today, finishing with the prestigious IBC Awards ceremony.
US media company Viacom has partnered with Japanese software provider Access to bring TV entertainment including MTV, Comedy Central and Nickelodeon to the car for its German audiences.
IBC preview magazine Insight contains interviews with keynote speakers, an overview of some of the technology trends that will dominate IBC2019 as well as guides to the show’s exciting and innovative features, from the Future Zone to the Esports Showcase.
We are currently in a transition from 1080p to UHD, so why is the industry intent on pushing 8K?
Samsung and KT Sky Life have used a satellite’s Ka band to send 8K video data successfully compressed and retransmitted terrestrially.
Amazon has launched its first Fire TV Edition TV with support for Dolby Vision.
Comcast has developed a web-based eye control remote to enable viewers with a physical disability to change the channel, set a recording and search for a programme.
SB.TV founder and entrepreneur and Media Production Show keynote speaker Jamal Edwards explained the power of storytelling and harnessing new media.
Apple has previewed its new tvOS 13 operating system for its 4K Apple TV declaring it “the easiest and most personalised entertainment device” yesterday at its developers’ conference.
The Long Night, Game of Thrones’ biggest, most expensive, and longest episode to date, has been dogged by complaints of murky pictures and difficult to see action. What, if anything, went wrong?
From the creation of content in the cloud to the delivery of content to mobile devices, NAB 2019 was awash with innovation that suggests an even closer relationship between the media and telco industries.
From foldable phones to live biohack chip implants and an exhibition and conference awash with 5G, we look at the likely trends and talking points at this year’s Mobile World Congress.
Professional audio visual show Integrated Systems Europe exhibits a market rocketing upwards on video tech.
The SMPTE 2018 Annual Technical Conference & Exhibition provides an opportunity to take a deep dive into the latest techniques and technologies shaping the media and entertainment industry, writes Aimée Ricca
8K, in the shape of NHK’s Super Hi-Vision, has been an important part of the IBC Future Zone for years. This year, however, it’s breaking out to the rest of the show. How long, then, before 8K starts to go mainstream?
Watch on demand as IBC365 previews the anticipated themes and highlights of IBC2018.
After years of false starts, national broadcasters are now racing to create joint streaming platforms. But are they too late to take on Netflix and Amazon?
Direct view LED displays promise greater luminosity and lower running costs, but will the high cost of installation and audience appetite for crisper images support rollout of the Samsung and Sony-backed technology?
Not everything that happens in Vegas stays in Vegas: IBC365 is joined by a panel of industry experts to review what went on, what was hot, and what happened at the NAB 2018 conference and show floor.
The giant CES 2018 show opens on January 7 and it is widely expected that more than a few stands will be showcasing 8K video content on giant displays.
With a new high-dynamic-range (HDR) and wide-colour-gamut (WCG) standard defined in ITU-R BT.2100, display and projector manufacturers are racing to extend their visible colour gamut by brightening and widening colour primaries.
With Disney, Turner, Telefonica and Facebook launching their own streaming services what are the implications for the industry?
Advances in display technology are providing cinema goers with sharper images and even greater dynamic range.
The introduction of image systems with higher dynamic range and a wider colour gamut is a globally active topic.
Next-generation video technologies include a variety of features – 4K resolution, high frame rates, wide color gamut, and high dynamic range.
One of the main goals of future television is to create a more immersive experience. The viewer should get the feeling that he or she is inside the action.