All VFX articles – Page 3
-
News
Disguise acquires immersive entertainment firm Meptick
Extended reality (xR) technology firm disguise has acquired Atlanta-based immersive entertainment specialist Meptick.
-
Daily News
Zeiss lens mapping service focuses on VFX efficiency
CinCraft Mapper is a new digital service that Zeiss claims will quickly and simply provide frame-accurate lens distortion and shading data for the visual effects industry. This data will enable digital compositing and matchmoving systems to achieve cinematic results that are as realistic and precise as possible.
-
Industry Trends
SMPTE: The power of smart contracts awaits the media industry
Offering twinned creative technology and technical infrastructure strands, running simultaneously in the NFT2 and NFT3 theatres, the SMPTE UK Media Technology Conference 2022 marked 29 June as the day it created a new, modern media image for itself in the UK. George Jarrett reports.
-
News
RTS Awards: Entries open for craft talent in TV and broadcasting
Entries are now open for broadcasters and individual crafts people across all competitive categories for the Royal Television Society Craft & Design Awards 2022.
-
News
DNEG and Sports Ventures call off SPAC deal
Visual effects and animation firm DNEG has called off plans to go public through a merger with special purpose acquisition company (SPAC) Sports Ventures Acquisition Corp.
-
Industry Trends
Stranger Things 4 - Behind The Scenes
Caleb Heymann tells IBC365 about the visual direction for the Duffer Brothers’ epic horror fantasy.
-
Industry Trends
Editors Assemble: Cutting Hawkeye as a collaborative team
With three directors and crushing deadlines to contend with on Marvel’s limited series about heroic archers, as well as a pandemic to boot, how did the three editors on Hawkeye manage to tell such an enthralling, cohesive story?
-
News
Technical achievements praised at British Academy Television Craft Awards
Winners of the British Academy Television Craft Awards were revealed at a ceremony on Sunday, recognising and celebrating the very best in technical achievements in British television.
-
News
VFX house Misc Studios launches in London
Adam Luckwell and Michael Elson have launched Misc Studios, a VFX house dedicated to high-end VFX production based in central London’s Noho area.
-
News
Prince Edward becomes first Royal Patron of PGGB
Prince Edward, the Earl of Wessex, has become Royal Patron of The Production Guild of Great Britain (PGGB).
-
News
ScreenSkills TV fund earmarks £10m for training
The ScreenSkills High-end TV Skills Fund is to invest more than £10 million of industry contributions from UK producers, broadcaster in-house productions and inward investors in training in the coming year.
-
Industry Trends
The holodeck emerges into the light
Deck: Light Field Lab’s holographic displays are nearing commercial reality with a development trajectory bringing holographic TV within range.
-
Industry Trends
Behind the Best VFX Oscar Nominations
Bond, Dune and Spider-Man – the three blockbusters that did most to lure punters back to the cinema – all get nods alongside two Disney films
-
News
Untold Studios launches in the US
Untold Studios has launched its first studio in the United States.
-
News
Technicolor carries out major restructure of VFX brands
Technicolor Creative Studios has unveiled a restructure of its visual effects brands in the advertising, film and scripted spaces.
-
Industry Trends
Behind the Scenes of Lana Wachowski’s The Matrix Resurrections
Cinematographer Daniele Massaccesi explains how the visual representation of The Matrix has been updated, including the iconic ‘bullet time’ effect
-
News
Milk co-founder Will Cohen to step down
Will Cohen, CEO and co-founder of VFX studio Milk, is to step down after eight years leading the Milk team to explore new opportunities.
-
News
Netflix snaps up Munich-based Scanline VFX
Netflix is to acquire visual effects firm Scanline VFX, whose credits include Stranger Things 3, Game of Thrones and Godzilla vs Kong.
- Previous Page
- Page1
- Page2
- Page3
- Page4
- Next Page