Adrian Pennington

Alice Taylor, Director, BBC Studios' new AI Creative Lab, describes a “strong, cautious enthusiasm” among production teams for the initiative.

Martin McDonagh writes specifically for places and characters that inspire him, and Easter Island could not simply be recreated elsewhere, DoP Ben Davis explains.

AI agents have the potential to automate media transactions at scale, but today’s focus is less about fully autonomous workflows and more on experimentation and efficiencies.

As media, technology, and politics become increasingly intertwined, the stakes extend far beyond the balance sheet.

Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.

With audiences expecting instant global information, and broadcasters competing against social platforms that deliver clips within seconds, the race is on to deliver ultra-low latency (ULL) as a competitive edge.

To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.

AI was largely sidelined at the annual RTS gathering where the fate of public service media took precedence. Adrian Pennington reports.

The creator economy is no longer a sideshow in Free Ad-Supported Streaming TV (FAST) but a core channel segment with platforms actively competing for content.

On Air, the global student‑run broadcast initiative, is scaling up in its second year.