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The production question AI demos rarely answer: where does the tool fail?

Workflow transformation: “AI should be for reliability, not creativity”

WBD’s Alex Dinnin: “It was love at first sight, and it still is”

The American Experiment

Netflix uses GenAI on 300 titles in 2026

XR at Versailles

XR at Versailles: Bringing history to life at scale

Punky Duck

Prime Video orders three animated series from GenAI Creators’ Fund

La Haine's 30th anniversary was celebrated in 2025 by the BFI with a 4K UHD release

Mathieu Kassovitz tells filmmakers: “Adapt or die”

Virtual production after the hype: Where it actually works now

Apple Vision Pro Mac Virtual Display

Spatial computing: “Instead of showing people a story, you’re letting them inhabit it”

Netflix opens animation studio in Vancouver

From green screen to Unreal worlds: The tech stack driving virtual production

Avatar: Fire and Ash leads at Visual Effects Society awards

NUA Students use the Sony Venice on the new virtual production stage at Norwich University of the Arts

Virtual thinking: Is education keeping pace with industry requirements?

CES2026

CES 2026: “The ChatGPT moment for physical AI is nearly here”

Sony virtual production

Multi-camera live virtual production on a broadcast budget

Sony launches virtual production studio at Norwich University

Netflix to merge Scanline VFX and Eyeline Studios

Why expand your IP into games?