The cinematographers behind Netflix sci-fi series explain why the sun was such an important element in the show’s VR game world and how they played the story’s fictional science straight down the line.
Ophélie Boucaud, Principal Analyst at Dataxis, sheds some light on the quest for more relevant and comparable performance metrics in the ad-supported streaming world, and what needs to happen to create greater transparency.
IBC365 takes a close-up at the editing, cinematography and VFX nominees in the running for this year’s Academy Awards.
It’s no surprise that uses of AI are top of the agenda for media organisations in the next 12 months but so too is a drive to enhanced monetisation over Connected TV, mining niche sports, warnings of job ‘replacements’ and, notably, fewer calls for sustainability. Here are a selection of ...
Yann Figuet, Partner at FreeLens, explains how the production company deployed the latest tech from Blackmagic Design to up its game in the latest Euro Meet competition.
Read moreUS-based Monumental Sports & Entertainment (MSE) has chosen Synamedia’s video network products to distribute high-value sports content, along with other programming, to its newly launched Monumental Sports Network, which it recently acquired from Comcast/NBC Universal.
IBC365 asked broadcasters, consultants and vendors about the dominant and emerging tech trends they were seeing at NAB and in their sector. While GenAI had undoubtedly been the buzzword at the show, participants referenced the widespread adoption of IP tech, the integration of AI-powered tools with current workflows, interactive TV, ...