From the need to complement more streamlined productions to increasing emphasis on sustainability and control integration, the expectations of TV and film production lighting are increasingly extensive, writes David Davies.
The coronavirus lockdown may afford producers and broadcasters much-needed time to investigate more efficient ways of managing productions, in particular by adopting digital production management workflow tools.
Corralling technical and creatives teams to work efficiently and seamlessly is post-production supervisor Gemma Nicholson’s forte. She tells IBC365 why she started Post Super and speaks of the juxtaposition power of moving pictures as art and business.
Increased interest from OTT services and device manufacturers means that demand for Dolby Atmos and Dolby Vision is continuing to accelerate, as Dolby Europe VP Commercial Partnerships Javier Foncillas tells David Davies.
Read moreCinematographer Mandy Walker frames for the epic and the intimate in Disney’s touchpaper test for theatrical return.
IBC SHOWCASE: This video refers to the latest KAON Broadband implementation of USP Agent and Controller. The example will target an update on the Graphical User Interface of the Gateway located in the customer premise.