Cinematographer Simon Duggan discusses the challenges in ensuring visual continuity for the prequel to the operatic road warrior saga Mad Max: Fury Road.
The Evolution of the Control Room Accelerator 2024 project has been jointly proposed by Champions TRANSMIXR, ITN, BBC and TV2 Denmark with support from Champions HSLU, TCD, TG4, TUS and the University of Strathclyde. The project combines two original Accelerator challenge proposals into a wide-ranging project that seeks to break ...
Ophélie Boucaud, Principal Analyst at Dataxis, sheds some light on the quest for more relevant and comparable performance metrics in the ad-supported streaming world, and what needs to happen to create greater transparency.
IBC365 takes a close-up at the editing, cinematography and VFX nominees in the running for this year’s Academy Awards.
It’s no surprise that uses of AI are top of the agenda for media organisations in the next 12 months but so too is a drive to enhanced monetisation over Connected TV, mining niche sports, warnings of job ‘replacements’ and, notably, fewer calls for sustainability. Here are a selection of ...
Claire Wilkie, Founder and CEO of Limitless Broadcast discusses the ingredients needed for a successful remote production and how “change happens”, whether everyone wants to get on board or not.
Read moreBy day two IBC2024 is in full swing. The world’s leading content and M&E show will cover the most pressing topics for the industry, from the impacts of AI to sports broadcasting and end-to-end streaming. Not forgetting of course, the ample networking connections to be made.
AI is more than just the next big thing — it’s a pivotal force reshaping the media and entertainment landscape. But how does this translate in reality? Our series of case studies provides a deep dive into AI’s real world applications that are optimising operations and unlocking new business opportunities ...