Cinematographer Paul Guilhaume explains how a transgender cartel musical is told with magical realism.
The Evolution of the Control Room Accelerator 2024 project has been jointly proposed by Champions TRANSMIXR, ITN, BBC and TV2 Denmark with support from Champions HSLU, TCD, TG4, TUS and the University of Strathclyde. The project combines two original Accelerator challenge proposals into a wide-ranging project that seeks to break ...
Ophélie Boucaud, Principal Analyst at Dataxis, sheds some light on the quest for more relevant and comparable performance metrics in the ad-supported streaming world, and what needs to happen to create greater transparency.
IBC365 takes a close-up at the editing, cinematography and VFX nominees in the running for this year’s Academy Awards.
It’s no surprise that uses of AI are top of the agenda for media organisations in the next 12 months but so too is a drive to enhanced monetisation over Connected TV, mining niche sports, warnings of job ‘replacements’ and, notably, fewer calls for sustainability. Here are a selection of ...
Miranda Wayland, CEO of Creative Diversity Network says the focus on individual DEI executives and departments misses the bigger picture. Adrian Pennington reports.
Read moreAteliere Creative Technologies said Sveriges Television (SVT) used Ateliere Live to remotely produce the TV show, “The Great Moose Migration,” saying this helped it achieve sustainability goals while cutting costs.
A fireside chat discussing how COACTIVE uses generative AI to accelerate metadata generation for media and entertainment customers.