iPhone users spend around 40% more on micro-drama apps than Android users, according to Omdia research, challenging common assumptions about who consumes and pays for the rapidly growing form of entertainment.
Micro-dramas are often perceived as appealing primarily to lower-income or niche audiences, but Omdia’s latest consumer research suggests the reality is more nuanced.
In several major markets, iPhone users are significantly more likely to pay for micro-drama content than Android users, highlighting the strong commercial potential of these audiences.
In the US, micro-drama adoption is now well established across both mobile ecosystems. Around 9% of iPhone users and 10% of Android users have used at least one micro-drama app during the past three months. Monetisation rates are also similar, with 69% of iPhone users and 68% of Android users saying they pay for content through subscriptions, one-off purchases, or in-app currencies.
Outside the US, however, clear differences emerge. In Brazil, 48% of iPhone users pay for micro-drama content, compared with 39% of Android users. In Germany, the figure is 49% versus 44%, while in South Korea it is 59% versus 45%.
Complementing the consumer survey, Omdia’s analysis of sensor tower data found that iPhone users spend approximately $14 per week on micro-drama apps, compared with around $10 per week for Android users.
The research indicates that while audience reach is becoming increasingly similar across mobile platforms, willingness to pay and overall consumer value differ significantly between device ecosystems and regions.
"Micro-dramas are rapidly becoming one of the fastest-growing segments of digital entertainment. Understanding who watches is important, but understanding who pays is what drives long-term commercial success," said Maria Rua Aguete, Head of Media and Entertainment at Omdia.
She continued: "What’s particularly fascinating is how our research challenges many of the assumptions surrounding micro-drama audiences. The genre has often been dismissed as appealing primarily to lower-income or niche consumers. Our findings tell a different story. In many markets, iPhone users are actually more likely to pay for micro-drama content than Android users, highlighting that these audiences are more diverse and commercially valuable than many in the industry have assumed. For content owners, app developers, and advertisers, understanding these differences will be critical as the global micro-drama market continues to expand."
Omdia also recently found that micro-dramas are rapidly emerging as one of the fastest-scaling formats in online video. Discover more here.
IAMT Industry Impact Briefing: MediaTech has outgrown broadcast
Media technology has evolved far beyond its traditional broadcast boundaries. “It’s no longer just a sector,” said Saleha Williams, CEO, IAMT, in an IBC opening address.
BBC Studios and UKTV selected Full Season for playout of 53 channels
BBC Studios and its subsidiary UKTV have selected the European media services provider Full Season to deliver playout services for 53 linear channels and their VOD offerings under a new multi-year agreement.
40% of UK's small independent TV producers at risk of closure, warns IndieLab
According to an analysis of Companies House filings by IndieLab, 40% of the UK's small independent television production companies are at risk of closure within two years.
Netflix raises UK subscription prices
Netflix has raised the price of its UK subscription packages, lifting the cost of its cheapest tier by 33%.
Netflix strikes programming deal with Spain’s Atresmedia
Netflix has struck a programming deal with leading Spanish commercial broadcaster Atresmedia.



