Live sports are key to unlocking growth in the highly fragmented streaming market, according to a new report from marketing data and analytics company Kantar.
The report also flags the importance of sports-themed documentaries and dramas for retaining new subscribers.
Kantar’s Entertainment on Demand (EoD) Special Report examines the evolution of live sports streaming across the UK, US and Europe.
It says that one in five new video on demand (VoD) subscribers are motivated by live sports. Football is the most popular sport in Great Britain, Germany, France, and Spain, contributing to 51% of sports-driven VoD sign-ups. American football is the leading sporting influence on subscription adoption in the US, followed by soccer, tennis, basketball, and rugby.
The report found that 95% of sports fans in the US opt for VoD streaming, while cable TV penetration has witnessed an 8% decline over two years. The quality of the commentators remains a major differentiator between services.
European women are 41% less likely to be sports fans than American women. Wimbledon (tennis), Tour De France (cycling), and Formula 1 are the main attractions for women sports fans. Only 10% of European female sports fans are interested in the Women’s FIFA World Cup.
Commentating on the findings, Andrew Skerratt, Global Insight Director at Kantar, said: “Beyond live action, subscribers are looking to watch more than one competition. In Britain, for example, football is king, but rugby, cricket, tennis are also part of the equation when choosing between new subscriptions.”
Skerratt added: “Sports documentaries and behind the scenes stories also prove to be a powerful loyalty driver, as people build more meaningful connections to their favourite (sports) stars and have one more reason to stay on the platform throughout the year. Netflix’s Formula 1 documentary Drive to Survive not only attracted F1 fans, it also expanded the sport’s viewership globally by millions. Delivering value for the household is also vital – nearly one in three households with a video streaming subscription acquired it as part of a bundle deal or promotion that offers ’something for everyone.”
You are not signed in
Only registered users can comment on this article.
Blackmagic Design unleashes a wave of technologies
In the lead-up to NAB 2026, Blackmagic Design has revealed a slate of new production technologies.
Avid and Google Cloud partner to bring agentic AI for media production
Avid and Google Cloud have signed a multi-year strategic partnership to embed Google’s Gemini models and Vertex AI directly into Avid’s solutions.
Channel 4’s longest-serving Chief Content Officer steps down
After almost nine years leading the broadcaster’s content strategy, Ian Katz, Chief Content Officer at Channel 4, will step down from his role in October 2026.
BBC to cut 2,000 jobs: "Put simply, the gap between our costs and our income is growing"
In an internal, all-staff call held today, Rhodri Talfan Davies, Interim Director General for the BBC, revealed that the organisation is planning to cut between 1,800 and 2,000 jobs.
AJA to acquire video encoding company Comprimato
AJA Video Systems has agreed to acquire Comprimato, a live video encoding and processing software provider for virtualised and cloud productions and broadcasts.



.jpg)