Adrian Pennington is a journalist, editor and commentator in the film and TV production space. He has produced and chaired conference sessions, co-written a book on stereoscopic 3D, edited several publications and is copywriter of marketing materials for the industry.
It’s only been four years since the debut of electric off-road racing series Extreme E but later this year it will relaunch as the first competitive motorsport powered by hydrogen.
Shooting each episode in a single take is no gimmick but additive to the intensity of Netflix’s latest hard-hitting drama. IBC365 speaks with creator Stephen Graham and director Philip Barantini.
Esports is on a roll. The global esports market passed the $2bn mark last year and is expected to be worth nearly $11bn by 2032. Tournament prize money is rising and audiences on channels like Twitch are expected to top 640 million worldwide in 2025. IBC365 takes a closer look at the events shaking up the esports landscape.
The C2PA-created open standard has reached a significant level of support and adoption, but there remains work to do before it fully delivers. Adrian Pennington reports.
Nexus Studios, Hartswood Films and Filmsat59 are three UK businesses representing media and TV in JP Morgan’s Top 200 Women-Powered Businesses report. IBC365 speaks to this elite group of leaders and finds one key issue holding more women back.
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Moving VFX workflows to the cloud has proved challenging, but a US-based startup could be about to change that. Adrian Pennington reports.
Europe’s governments and regulators were hammered by their own telcos and Washington representatives for being anti-competitive as innovation struggled to be heard above the noise.
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It was the greatest day for Sean Baker at the 97th Academy Awards as the American auteur’s freewheeling sex comedy Anora took home five Awards including Best Picture, Best Director and Screenplay, as well as Best Actress for Mikey Madison’s effervescent performance.
The editors of theatrical drama By Design and documentary Sugar Babies share details of their work and editing preferences with IBC365.
In the same week that one global VFX giant has its AI division alone valued at $1.43bn another is on the verge of collapse. It is hard not to draw the conclusion that the two are related. Adrian Pennington reports.
