Last week, Deepa Subramaniam, Adobe’s Vice President of Product Marketing for Creative Cloud, was excited to reveal Adobe’s Firefly generative AI model at Adobe MAX London. Michael Burns questions her about the fears and hopes this new influence will have on post production.
“Firefly debuted last March. It’s barely over a year old, yet it’s been incredible to see the reception to the foundational models – we have an image model, we have a vector model, we have a design model, and we’re working on a video model, which we’ll bring to market this year,” Subramaniam told IBC365 on the eve of the MAX event in Battersea. Subramaniam heads up a team driving Adobe’s digital imaging, photography, video, and design strategies forward: “The excitement and enthusiasm and adoption from the community [towards Firefly] have been awesome, and all of that development has happened through open public betas.”
The Firefly model integrates AI image generation into Adobe’s creative applications, shown at MAX running in Adobe Photoshop, Lightroom, Illustrator, InDesign, and Adobe Express. But what will be of most interest to IBC365 readers is a sneak preview of a new video model that promises AI-powered post production capabilities in Premiere Pro...
You are not signed in
Only registered users can read the rest of this article.
KICK: Writing the rules of high-altitude immersive production
From camera placement and viewer comfort to movement, pacing and post-production, the French Alps-set KICK provided Altitude101 with a unique opportunity to test, challenge and refine the methods shaping its immersive storytelling.
.jpg)
Sheffield DocFest: “We need to be more weird”
Funding remains a puzzle, but the documentary and factual entertainment genres are thriving at Sheffield Documentary Festival.
FIFA World Cup: A cyber criminal’s cash cow
Alongside financially motivated cybercrime, politically motivated hacktivists are also likely to target organisations linked to the tournament through distributed denial-of-service attacks, website defacements, and disinformation campaigns.
AI and sports piracy: “It's whack-a-mole, except now the mole is running an algorithm”
Illegal sports streams in Britain have more than doubled to 3.6bn in the past three years, according to a recent report from the Campaign for Fairer Gambling. But is there any correlation between the increase in piracy and advances in tech? Is AI more effective as the sword or the shield? Anna Tobin reports.
From screens to spaces: The rise of immersive experiences in live events
From AR-powered sports coverage to immersive theatre and AI-driven fan engagement, broadcasters, organisers, and rights holders are rethinking how live experiences are created and extended beyond the event itself.
.jpeg)
