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The French Director and Actor has ditched CGI for AI in his next film, saying AI is part of the creative dialogue.
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British Forces Broadcasting Service: “I’ll admit, it’s interesting that we’ve taken that decision”
Fresh off a 10-year contract renewal with the UK’s Ministry of Defence (MOD), Ben Chapman, CEO of BFBS, divulges how the organisation is revamping its media services to the world’s most remote locations and reveals an exclusive on the forthcoming appointment of a Director of AI, Culture, and Gaming.
Matthew Celia: “I view immersive as the last refuge of focused entertainment”
Matthew Celia, Co-Founder and Creative Director of immersive studio Light Sail VR, reveals how he leveraged the magic and psychology of VR to deliver a live, Emmy-winning 3D 360° production of Saturday Night Live, and where he expects the technology to go next.
Access all areas: A diversity platform made for media
Born from his own experiences as a wheelchair-bound camera operator, Chris Lynch’s disabled-led production house Diverse Made Media has turned the frustrations of limited mobility and opportunity into a game-changing piece of camera technology, named Caerus. With it, Lynch is on a mission to shake up the industry and bridge its diversity gap.
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Stephen J Arnell: “AI definitely has its uses, but it is presently way too bland”
Writer and producer Stephen J Arnell shares his opinions on how the trends of today will shape the industry of tomorrow.
Nicolas Winding Refn: “If you mass produce nothingness, why would anyone care?”
The Danish auteur is back with a new movie, a prominent role in a computer game, and the same confrontational attitude to formulaic art.
