While looking after his dying parents, VR Filmmaker Ian Tuason became obsessed with demonic possession stories, which planted the seed for the uniquely creepy sound design of his first feature.
You won’t hear Baa Baa Black Sheep in quite the same way after seeing Undertone, the latest twist on found horror, which emphasises sconic scares over visual gore. Like last year’s low-budget breakout chiller Good Boy, Undertone preys on audience fears by letting their imagination run riot about what might lurk in the shadows.
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Crafting suspense: “We wanted to raise the bar again”
Nella Mente di Narciso’s Director of Photography, Gianluca Braccieri, reveals the digital film cameras, custom lighting setup, and end-to-end post-production software the team leveraged to achieve the tension and mystery of the Italian crime documentary series’ highly anticipated third season.
Behind the Scenes: Marty Supreme
The creative team behind Uncut Gems brings its characteristic brash beauty and adrenaline to 1950’s New York City in a screwball drama.
Behind the scenes: Hamnet
Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.
Behind the scenes: The Running Man
Scenes structured like Russian nesting dolls present Editor Paul Machliss with a challenge in completing this deadly reality TV show.
TNT Sports and The Ashes: “We need to be at the heart of the story”
TNT Sports takes a hybrid approach as England’s cricket team heads down under with a sporting chance of returning with a little urn. Adrian Pennington reports.
