.jpg)
In Ridley Scott’s bio-epic Napoleon we see the French general at the battles of Austerlitz and Waterloo, in his tent, standing outside his tent, on a horse – waiting, waiting, waiting, writes Adrian Pennington.
“Those wars were gruelling and probably not very exciting for the most part because it involved lots of strategy and waiting around for days,” said Dariusz Wolski ASC, the film’s cinematographer speaking to IBC365. “We have to make them more concise, more exciting and clear for the audience to follow.”
Doing so involved a whole army of production crew who exhaustively reccied, plotted, discussed and manoeuvred cast and kit on 3D models prior to shooting a single thing.
“First it’s just planning, planning, planning and logistics,” he said. These include...
You are not signed in
Only registered users can read the rest of this article.
Behind the Scenes: Cape Fear
It’s a jungle out there. Celiana Cárdenas, Director of Photography, explains how the series evoked the oppressive and unsettling atmosphere of a stalker hunting its prey in Apple TV’s pulp fiction.
Esports World Cup: “Mainstream media is a big part of this now, we have to deliver enough content”
A last-minute pivot to Paris brought its own set of challenges as ESL FACEIT assembles the world’s largest esports event. Adrian Pennington reports.
Behind the Scenes: The Odyssey
Art and technology combine for epic storytelling, if you believe the marketing for Christopher Nolan’s latest.
Behind the scenes: Spider-Noir
The Marvel universe series is designed to work both as a gritty monochrome detective story and as a stylised, visually saturated comic book world.
Behind the scenes: FIFA World Cup 2026
Time-zone differences, travel demands, and the geographic spread of host cities are forcing FIFA’s host broadcast and rights holders to rethink traditional production approaches.
