Tim Burton and Michael Keaton’s return to the fantasy horror comedy hit is lensed by Greek-Cypriot cinematographer Haris Zambarloukos. Adrian Pennington reports.
When director Tim Burton sat down with his cinematographer to discuss a sequel to 1988’s cult hit Beetlejuice he told Haris Zambarloukos (BSC); ‘I’ve already made that film’.
“There’s a world already set up, there is a precedent there but he didn’t want to breathe life into old bodies. He wanted to treat each scene of the new film on its own terms,” says the DoP of his first experience working with Burton. Zambarloukos regularly composes films with Kenneth Branagh including spooky house feature A Haunting in Venice (2023). He says the Edward Scissorhands director knows what he wants...
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: VisionQuest
Square lens flares, VFX, and LED volumes came together to create one of Marvel’s most thoughtful and philosophical shows – VisionQuest. Cinematographer Christopher Ross, BSC, sits down with IBC365 to reveal more.
Behind the scenes: Wild Horse Nine
Martin McDonagh writes specifically for places and characters that inspire him, and Easter Island could not simply be recreated elsewhere, DoP Ben Davis explains.
Behind the scenes: The Only Living Pickpocket in New York
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
Behind the scenes: BBC’s Vigil
To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.
Behind the scenes: The United Stand
Greg Hartley, Producer of The United Stand, reveals how the fan channel built a studio workflow to provide live football coverage to 1.83 billion viewers.


