.jpg)
Opposing colours in the same frame, 6000 lightning cues and shooting 17 sound stages - one the size of four American football fields, all merit why Wicked is the ‘latest hurrah to the golden days of epic studio filmmaking,’ writes Adrian Pennington.
You are not signed in
Only registered users can read the rest of this article.
Behind the Scenes: Marty Supreme
The creative team behind Uncut Gems brings its characteristic brash beauty and adrenaline to 1950’s New York City in a screwball drama.
Behind the scenes: Hamnet
Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.
Behind the scenes: The Running Man
Scenes structured like Russian nesting dolls present Editor Paul Machliss with a challenge in completing this deadly reality TV show.
TNT Sports and The Ashes: “We need to be at the heart of the story”
TNT Sports takes a hybrid approach as England’s cricket team heads down under with a sporting chance of returning with a little urn. Adrian Pennington reports.
Behind the scenes: Frankenstein
Cinematographer Dan Laustsen tells IBC365 why he and Guillermo del Toro turned the classic nightmare, Frankenstein, into a love story of ice and warmth between father and son.
.jpg)
