With four stands at IBC2024 using Disguise’s End-to-End Broadcast Studio Solution to showcase their technologies, the company’s visual platform can be seen being implemented across workflows all the way from concept to final delivery.
INFiLED selected the Disguise Porta graphics controller to enable the playout of all graphics types, from motion graphics to LED, AR or even XR, all from a single easy-to-use interface.
The Disguise VX 4+ and VX 2+ is powering Roe Visual’s stand equipped with patented IP-VFC technology, enabling a full ST 2110 workflow from the media servers to their Ruby LED panels.
Together with White Light, Disguise features on the Samsung stand, showcasing the capabilities of its GX 3, VX 2 and RX II hardware and how White Light integrates Disguise’s platform with Samsung’s display products to support XR stages and LED walls.
Mark Roberts Motion Control (MRMC)’s VX 3 and RX III servers will power real-time content created by Disguise’s services division Meptik. The system will sync with three MRMC camera robotic solutions to create dynamic virtual environments on the stand.
Lanz Short, Global Solutions Manager, Disguise commented: “We have had an excellent reception from visitors so far, and we couldn’t be happier that top tier companies such as MRMC and Roe Visual have selected Disguise products to run their trade show booths here at IBC.”
Stand Number 3.B61
Company Disguise
You are not signed in
Only registered users can comment on this article.
.jpg)
Bridge Technologies unveils AV sync assessment tool
A multiservice AV sync tool on show from Bridge Technologies offers sample-level accurate synchronisation assessment within the VB440 production probe.
.jpg)
Statmux boosts multi-stream encoding
Spin Digital is previewing the latest features and improvements to its HEVC and VVC encoders At IBC, for VoD, Live and Ultra-low-latency applications, including new functionality for its Spin Enc Live encoder.
.jpg)
Director captures volumetric music video using 75-camera array
Volumetric capture is “a new form of photography” that records reality in a way that makes it ideal for all of today’s deliverables, from interactive headsets to cinema screens, according to Neirin Jones, Director. DP, Prism AI.
 SR (1).jpg)
Adobe Premieres Generative Media Tool for Creators
Premiere’s Generative Media Tool launched at IBC with its first two publicly available features, Generate Video and Generate Sound Effects, and with Generate Music and Generate Soundscape in beta.
.jpg)
Streaming gets smarter on revenue, Evergent demonstrates
AI is moving from experimentation into products “actually being experienced by customers” according to Evergent, with streaming platforms moving beyond one-size-fits-all subscriptions.
