Nexus Studios, Hartswood Films and Filmsat59 are three UK businesses representing media and TV in JP Morgan’s Top 200 Women-Powered Businesses report. IBC365 speaks to this elite group of leaders and finds one key issue holding more women back.
There are 49,000 ‘high growth’ businesses in the UK of which more than 14,000 are ‘women-powered’ according to a recent report by investment bank JP Morgan.
‘Women-powered’ means either led or founded by women, majority owned by women, or with a management team comprised of at least 50% women. The bank charts a significant rise in the proportion of women-led businesses since it began its report...
You are not signed in
Only registered users can read the rest of this article.
Crystal Clear: Boosting speech intelligibility in media
For an issue that affects almost every television viewer, dialogue intelligibility remains surprisingly difficult to define.
IPMX, ST 2110, and the battle for the network
As the reach of the IP Media Experience (IPMX) initiative continues to grow, David Davies looks at the origins of the initiative, the areas it has achieved greatest traction to date, and what the future might bring.
Wimbledon 2026: ESPN gears up for record breaking year
ESPN is the biggest international broadcaster for Wimbledon for which it is paying around $95m annually for exclusive rights in the US until 2035 (from 2024). It’s a vital partner to the All England Lawn Tennis Club (AELTC) which own the Championship and which manages the host broadcast internally under Wimbledon Broadcast Services (WBS).
Content Everywhere: Accelerators for change
Content Everywhere companies are already in planning mode for this year’s IBC. Some will also have been working on, or at least taking note of, projects included in the event’s Accelerator programme.
Why media networks are being rewired for the speed of light
The elimination of OB trucks is just the start of the light revolution. For the media industry, a rewiring of the transport network from electrons to photons promises to unlock AI driven production, immersive formats, and globalised workflows while dramatically cutting energy consumption.



