In Alex Garland’s action thriller cameras are a weapon of truth, writes Adrian Pennington.
There’s a scene in Oliver Stone’s 1986 movie Salvador about the country’s chaotic civil war where a photojournalist played by John Savage is killed in the heroic attempt to capture the money shot - or proof - of military bombs falling on the civilian population.
The heroic nature of photojournalists and the wider importance of upholding the journalistic quest for truth is Writer-Director Alex Garland’s mission in Civil War - although the lines are blurred. The film’s hero, a veteran war photographer, is among a press pack dreaming of the ultimate money shot: the capture or execution...
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