Behind the scenes: John Wick 3

This remake of a classic animation works from Roger Deakins’ original lighting design, a colour palette plucked from the Faroe Islands, and puppeteered dragons, explains DoP Bill Pope.

“We’re not writing to the headlines, but you see this sort of conflict and empire building happen over and over again in history”, says John Gilroy, lead editor and executive producer of Star Wars spy thriller Andor.

Shooting large format IMAX and designing a surreal montage resonated with the film's themes of spiritual ancestry and musical legacy.

Netflix series 1992 presents a chilling depiction of Seville during the 1992 World’s Fair, where heavy contrasts of light, dark, and a muted colour palette set a gothic atmospheric tone for this suspenseful thriller.

Extended takes, 360-degree sets, and military authenticity reinforce the fog of war recreated from the memories of real life US soldiers.