Nella Mente di Narciso’s Director of Photography, Gianluca Braccieri, reveals the digital film cameras, custom lighting setup, and end-to-end post-production software the team leveraged to achieve the tension and mystery of the Italian crime documentary series’ highly anticipated third season.
Following the success of its previous seasons, Nella Mente di Narciso returns to RaiPlay and Rai 2 for a third season on RaiPlay and Rai 2, starting 9 April 2026. Across 20 episodes, hosted by Criminologist and Psychologist Roberta Bruzzone, viewers are guided through some of Italy’s most notable crime cases through forensic analysis designed to reconstruct the dynamics of each crime scene.
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: Spider-Noir
The Marvel universe series is designed to work both as a gritty monochrome detective story and as a stylised, visually saturated comic book world.
Behind the scenes: FIFA World Cup 2026
Time-zone differences, travel demands, and the geographic spread of host cities are forcing FIFA’s host broadcast and rights holders to rethink traditional production approaches.
Behind the scenes: Eurovision Song Contest 2026
What began as a technical experiment in 1956 is now a global cultural institution reaching approximately 170 million viewers on TV across three live shows and generating billions of views on digital platforms. IBC365 gets a tour backstage in Vienna.
Behind the scenes: Rooster
When Cinematographer Blake McClure signed on to shoot HBO’s new comedy Rooster, he wasn’t looking to reinvent the sitcom; he was looking for a way to stretch the visual language of comedy to integrate the intimacy of large format.
Building Bedlam: “Can I shoot an entire feature film on 65mm?”
Given the chance to shoot the 18th century action-drama Bedlam, Cinematographer James Butler crafted a daring project that merged medium-format photography with cutting-edge digital cinema on a customised Blackmagic URSA Cine 17K 65.


.jpg)