Boom Radio, which launched last month, is thought to be the first UK station without a central studio facility. Kevin Hilton found out how the presenters are broadcasting entirely from home.
A name often says a lot about something. Boom Radio, which went on air in the UK on 14th February, is a new music and talk station for Baby Boomers (people born between 1946 and 1963/64). What the name doesn’t say - but the presenters do - is that it is being broadcast from the DJs’ homes, not a traditional studio centre.
While broadcasting from home is not new - it dates back to the 1970s and became easier during the 90s thanks to connection technologies such as ISDN (Integrated Services Digital Network) - the coronavirus crisis has made it a necessity rather than an option. Boom Radio has taken the idea further to become what is believed to be the first national UK radio station without a central studios building.
On air the station is targeting the 60+ audience, which founders Phil Riley - a radio executive (Chrysalis Radio and Orion Media) - and David Lloyd, who has worked variously as a...
You are not signed in
Only registered users can read the rest of this article.
Content Everywhere: Accelerators for change
Content Everywhere companies are already in planning mode for this year’s IBC. Some will also have been working on, or at least taking note of, projects included in the event’s Accelerator programme.
Why media networks are being rewired for the speed of light
The elimination of OB trucks is just the start of the light revolution. For the media industry, a rewiring of the transport network from electrons to photons promises to unlock AI driven production, immersive formats, and globalised workflows while dramatically cutting energy consumption.
Q-Stream Alpha: Prioritising trust when the network can’t be trusted
As the industry navigates a storm of content authenticity threats, the Q-Stream Alpha: The "Tactical Truth" Pipeline Accelerator seeks to deploy AI, ML, and post-quantum encryption to apply C2PA principles within live workflows.
KICK: Writing the rules of high-altitude immersive production
From camera placement and viewer comfort to movement, pacing and post-production, the French Alps-set KICK provided Altitude101 with a unique opportunity to test, challenge and refine the methods shaping its immersive storytelling.
Sheffield DocFest: “We need to be more weird”
Funding remains a puzzle, but the documentary and factual entertainment genres are thriving at Sheffield Documentary Festival.

.jpeg)
