At MPTS, speaker after speaker, including the director of Mr Bates vs The Post Office, voiced fears for the future of the UK TV industry.
The Media Production and Technology Show (MPTS) felt like a busy show but the energy from many leading creatives and executives belied the perilous state of UK TV production.
It doesn’t seem to matter whether you are a director with a strong track record or a runner trying to catch a break, the industry’s finances appear to be at breaking point with opportunities for work leaving freelancers high and dry.
“The shows that we cut our teeth on have gone,” said James Hawes, who directed the first season of Slow Horses for AppleTV+ and has just made feature film Amateur with Remi Malek. “We have to replace it otherwise...
You are not signed in
Only registered users can read the rest of this article.
ProAV convergence: From control rooms to experience centres
Broadcast and proAV technologies are converging, creating flexible experience centres that can serve remote and on-demand audiences from shared production infrastructure.
Beyond the broadcast: Creating modern, multi-platform experiences
As audiences move between television, mobile, social, and immersive platforms, media organisations must create connected experiences that expand engagement without multiplying production costs.
Streaming’s discovery problem: Who will fix viewing fragmentation?
As the number of services and viewing options has grown, audiences have more choice than ever. Yet, for viewers, finding something to watch is often still an exercise in frustration.
Call my agent: Agentic AI begins buying media advertising
AI agents have the potential to automate media transactions at scale, but today’s focus is less about fully autonomous workflows and more on experimentation and efficiencies.
NAB Show New York: The stakes could not be higher
As media, technology, and politics become increasingly intertwined, the stakes extend far beyond the balance sheet.
.jpg)
 (1).jpg)

 (2).jpg)