As video becomes a core enterprise capability, broadcast AV is being redefined. It’s less about better hardware and more about network-native, production-grade media systems that can scale, are interoperable and operate reliably inside modern IT environments.
For much of the past decade, the language of the creator economy has been defined by social platforms, influencers, and independent media businesses. Yet, quietly, the same forces have been reshaping large organisations.
You are not signed in
Only registered users can read the rest of this article.
Inside IBC’s CTO roundtable: Speed, sovereignty, and the value question
Top industry experts from the DTG, BBC, and more sat down with IBC365 to discuss how broadcasters plan to thrive in a time of heightened competition, viewer expectations, and constrained budgets.
Going mainstream: Private 5G’s rising popularity in live production
Private 5G is gaining momentum as a connectivity option for live production. As deployments expand across sport, news, and large-scale events, broadcasters are exploring how dedicated networks can support more flexible and reliable production workflows.
Oscars 2026: Contender breakdown for cinematography, editing and VFX
Angst and destruction are central recurring themes of the 98th Academy Awards, with multiple nominees using fire as a symbol of humanity’s fatal disregard for the planet.
Behind the Scenes: Sentimental Value
The cracks in the inheritance of DNA, relatives, and property are at the heart of this critically acclaimed Norwegian tragicomedy.
Barbara Ford Grant: “A lot is happening behind closed doors”
In a world where production capability is ubiquitous and content costs nothing, creative vision is the only thing that matters, according to VFX pioneer and Hollywood consultant Barbara Ford Grant.
