Shooting each episode in a single take is no gimmick but additive to the intensity of Netflix’s latest hard-hitting drama. IBC365 speaks with creator Stephen Graham and director Philip Barantini.
Single-shot drama has become easier with the advance of lightweight and light-sensitive cameras but there is still something bravura about the ambition. The team behind Netflix series Adolescence are past masters having made the intense restaurant drama Boiling Point in one 90-minute sequence but the subject matter this time is altogether more serious.
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: VisionQuest
Square lens flares, VFX, and LED volumes came together to create one of Marvel’s most thoughtful and philosophical shows – VisionQuest. Cinematographer Christopher Ross, BSC, sits down with IBC365 to reveal more.
Behind the scenes: Wild Horse Nine
Martin McDonagh writes specifically for places and characters that inspire him, and Easter Island could not simply be recreated elsewhere, DoP Ben Davis explains.
Behind the scenes: The Only Living Pickpocket in New York
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
Behind the scenes: BBC’s Vigil
To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.
Behind the scenes: The United Stand
Greg Hartley, Producer of The United Stand, reveals how the fan channel built a studio workflow to provide live football coverage to 1.83 billion viewers.
 (1).jpg)
