The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique could be achieved live on set.
In Here, we follow the relationship of Richard and Margaret Young, played Tom Hanks and Robin Wright, as it evolves from their teens to their twilight years. The de-ageing and ageing process of the actors is achieved using the latest developments in generative AI technology.
It’s the largest-scale use of an emerging technology from London-based company Metaphysic that is able to digitally swap faces live.
For director Robert Zemeckis, the technology...
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: VisionQuest
Square lens flares, VFX, and LED volumes came together to create one of Marvel’s most thoughtful and philosophical shows – VisionQuest. Cinematographer Christopher Ross, BSC, sits down with IBC365 to reveal more.
Behind the scenes: Wild Horse Nine
Martin McDonagh writes specifically for places and characters that inspire him, and Easter Island could not simply be recreated elsewhere, DoP Ben Davis explains.
Behind the scenes: The Only Living Pickpocket in New York
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
Behind the scenes: BBC’s Vigil
To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.
Behind the scenes: The United Stand
Greg Hartley, Producer of The United Stand, reveals how the fan channel built a studio workflow to provide live football coverage to 1.83 billion viewers.
.jpg)
 (1).jpg)