For Ben Wheatley’s experimental, low-budget ‘midnight movie’, DoP Nick Gillespie incorporated a mix of formats, DIY effects, and back projection techniques to evoke classic cinema.
After adapting psychological thriller Rebecca for Netflix in 2020 and steering the $130m budget of CGI fish-fest Meg 2: The Trench into a $400m worldwide gross revenue, cult Director Ben Wheatley has gone back to his roots with a lo-fi experimental feature.
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Behind the scenes: Undertone
While looking after his dying parents, VR Filmmaker Ian Tuason became obsessed with demonic possession stories, which planted the seed for the uniquely creepy sound design of his first feature.
Crafting suspense: “We wanted to raise the bar again”
Nella Mente di Narciso’s Director of Photography, Gianluca Braccieri, reveals the digital film cameras, custom lighting setup, and end-to-end post-production software the team leveraged to achieve the tension and mystery of the Italian crime documentary series’ highly anticipated third season.
Behind the Scenes: Marty Supreme
The creative team behind Uncut Gems brings its characteristic brash beauty and adrenaline to 1950’s New York City in a screwball drama.
Behind the scenes: Hamnet
Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.
Behind the scenes: The Running Man
Scenes structured like Russian nesting dolls present Editor Paul Machliss with a challenge in completing this deadly reality TV show.
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