Netflix's latest police procedural is a love letter to hardboiled noir and classic British TV crime drama, says showrunner Scott Frank.
The Hollywood scriptwriter behind Minority Report, Get Shorty, Logan and The Queen’s Gambit says his happy place is British TV crime drama – and now he has created such a show of his own. New Netflix series Dept. Q is as rain-sodden, dour and shot through with grim humour as UK audiences expect of their detective mysteries...
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: VisionQuest
Square lens flares, VFX, and LED volumes came together to create one of Marvel’s most thoughtful and philosophical shows – VisionQuest. Cinematographer Christopher Ross, BSC, sits down with IBC365 to reveal more.
Behind the scenes: Wild Horse Nine
Martin McDonagh writes specifically for places and characters that inspire him, and Easter Island could not simply be recreated elsewhere, DoP Ben Davis explains.
Behind the scenes: The Only Living Pickpocket in New York
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
Behind the scenes: BBC’s Vigil
To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.
Behind the scenes: The United Stand
Greg Hartley, Producer of The United Stand, reveals how the fan channel built a studio workflow to provide live football coverage to 1.83 billion viewers.
 (1).jpg)
