Cinematographer Lol Crawley finds the monumental visual language to capture an artform that is essentially static.
The American Dream is subverted in The Brutalist which starts with a shot of the Statue of Liberty upside down. It marks the arrival by boat of the film’s fictional protagonist, László Tóth, a Hungarian-Jewish architect and Holocaust survivor, emigrating to begin a new life only to find the trauma of war amplified in the land of the free.
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: The Only Living Pickpocket in New York
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
Behind the scenes: BBC’s Vigil
To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.
Behind the scenes: The United Stand
Greg Hartley, Producer of The United Stand, reveals how the fan channel built a studio workflow to provide live football coverage to 1.83 billion viewers.
Behind the scenes: La Vida y Tal
Jaleo Producciones developed a compact broadcast-style workflow to capture Ana Milán’s improvised performances across theatres in Madrid, Bilbao, Valencia, and Seville, while moving each episode quickly from stage to post-production.
Behind the Scenes: Cape Fear
It’s a jungle out there. Celiana Cárdenas, Director of Photography, explains how the series evoked the oppressive and unsettling atmosphere of a stalker hunting its prey in Apple TV’s pulp fiction.
.jpg)
.png)
.jpg)
.jpg)