Oscar-winning Sound Designer Johnnie Burn on why being a runner is still the best route to success and how he creates the unsettling unorthodox worlds for Yorgos Lanthimos, Jordan Peele and Jonathan Glazer.
Oscar-winning Sound Designer Johnnie Burn believes there’s no shortage of people wanting to come into the industry but that postgraduates often have a preconceived notion of what to expect that may not align with commercial pressures.
“Having a degree is a great way to get in but anyone who wants to succeed still has to maintain the attitude that there’s a lot to learn,” he says. “The learning you have from college will take you through the later part of your career much more quickly but unless you go and make tea, no one else in the company going to have that respect for you because they’ve all done it.”
Burn, who created the sonic world for films including Yorgos Lanthimos’s Poor Things, and Jonathan Glazer’s The Zone Of Interest, runs Academy Award and Bafta-nominated audio postproduction house Wave Studios, having grown it with...
You are not signed in
Only registered users can read the rest of this article.
Creator. Experience. Streaming: The new economies of broadcast AV
As brands, corporates, and creators claim their stake in the content landscape, the boundaries between broadcast and professional AV are dissolving. No longer just a convergence, the broadcast AV landscape is now shaped by new economies of creation, experience, and streaming.
AI and the media revolution: A look ahead to 2026
January has only just come to an end, but we are already looking ahead to the next IBC, which takes place as usual at the Amsterdam RAI in September. In the meantime, Content Everywhere companies are polishing their crystal balls and making predictions about what might lie ahead for the video and streaming industry during the next 12 months.
FutureTech 2026: “Align on innovation, and it accelerates”
From imaginative politics and shifting approaches to innovation to adaptable governance of technology, no topic was off the table at this year’s DTG’s FutureTech. George Jarrett reports.
Creator economy comes to enterprise: What does broadcast AV really mean today?
As video becomes a core enterprise capability, broadcast AV is being redefined. It’s less about better hardware and more about network-native, production-grade media systems that can scale, are interoperable and operate reliably inside modern IT environments.
Age diversity: What to do about an age-old problem?
In the era of the 100-year life, is it time for the M&E industry to revisit its relationship with age diversity? As mid-career challenges and skills shortages intensify, IBC365 investigates the professionals striving to give more, over longer periods of time.
