Oscar-winning Sound Designer Johnnie Burn on why being a runner is still the best route to success and how he creates the unsettling unorthodox worlds for Yorgos Lanthimos, Jordan Peele and Jonathan Glazer.
Oscar-winning Sound Designer Johnnie Burn believes there’s no shortage of people wanting to come into the industry but that postgraduates often have a preconceived notion of what to expect that may not align with commercial pressures.
“Having a degree is a great way to get in but anyone who wants to succeed still has to maintain the attitude that there’s a lot to learn,” he says. “The learning you have from college will take you through the later part of your career much more quickly but unless you go and make tea, no one else in the company going to have that respect for you because they’ve all done it.”
Burn, who created the sonic world for films including Yorgos Lanthimos’s Poor Things, and Jonathan Glazer’s The Zone Of Interest, runs Academy Award and Bafta-nominated audio postproduction house Wave Studios, having grown it with...
You are not signed in
Only registered users can read the rest of this article.
.jpg)
Jen Smith, CIISA: "Bullying, harassment, and discrimination are what stifle creativity"
Jen Smith, CEO of CIISA, details how her vision for the future will stem the M&E industry’s £1.8bn annual losses in productivity by rooting out harassment across all levels of the business’s uniquely fragmented structure.
Touch the future: Immersive video will soon make its presence felt
As XR devices become more accessible and 6G wireless systems emerge, we’ll move from simply watching video to stepping inside it.
Securing the media supply chain: Protecting trust from lens to cloud
Today’s rapidly evolving media production technologies have enabled a new wave of creative workflows. With them comes a tsunami of corresponding infrastructure vulnerabilities.
From broadcast to braincast: A new frontier for AI-powered advertising
From neural interfaces to adaptive AR, brands may soon be capable of delivering messages that respond to real-time brain activity – creating powerful opportunities for engagement, but also raising critical questions about ethics, privacy, and trust. David Howell reports.
Can genAI unlock ad revenue for cash-strapped broadcasters?
The first AI-created adverts are coming to TV as broadcasters look to compete with social media. ITV and Channel 4 explain why they are now scaling up.
