Ateliere Creative Technologies said Sveriges Television (SVT) used Ateliere Live to remotely produce the TV show, “The Great Moose Migration,” saying this helped it achieve sustainability goals while cutting costs.
Supported by the Nvidia RTX 4000 Ada Generation GPU, Ateliere Live is aimed at eco-friendly broadcasting. Ateliere’s GPU-based solution will also be deployed on NVIDIA Holoscan for Media, an AI-enabled, software-defined platform for live media.
Since its debut in 2019, “The Great Moose Migration” follows a herd of moose on their ancient migration paths, streaming non-stop for over 500 hours each season. This year, SVT has eliminated the physical presence of a large on-site crew, instead using Ateliere Live’s REMI technology and proxy workflow.
Dennis Buhr, head of production development at SVT, said: “Producing ‘The Great Moose Migration’ is a logistical challenge requiring the deployment of substantial equipment in the woods, and a team of five to six staff to brave the elements for the entire production. This year, SVT leveraged Ateliere Live to revolutionise our production process. By utilising internet-based transport, we eliminated the need for on-site staff, thereby reducing costs and minimising our environmental impact. This eco-friendly approach upholds the quality viewing experience our audience has come to love while ensuring sustainability for future generations.”
You are not signed in
Only registered users can comment on this article.
.jpg)
Bridge Technologies unveils AV sync assessment tool
A multiservice AV sync tool on show from Bridge Technologies offers sample-level accurate synchronisation assessment within the VB440 production probe.
.jpg)
Statmux boosts multi-stream encoding
Spin Digital is previewing the latest features and improvements to its HEVC and VVC encoders At IBC, for VoD, Live and Ultra-low-latency applications, including new functionality for its Spin Enc Live encoder.
.jpg)
Director captures volumetric music video using 75-camera array
Volumetric capture is “a new form of photography” that records reality in a way that makes it ideal for all of today’s deliverables, from interactive headsets to cinema screens, according to Neirin Jones, Director. DP, Prism AI.
 SR (1).jpg)
Adobe Premieres Generative Media Tool for Creators
Premiere’s Generative Media Tool launched at IBC with its first two publicly available features, Generate Video and Generate Sound Effects, and with Generate Music and Generate Soundscape in beta.
.jpg)
Streaming gets smarter on revenue, Evergent demonstrates
AI is moving from experimentation into products “actually being experienced by customers” according to Evergent, with streaming platforms moving beyond one-size-fits-all subscriptions.
