Immersive Audio | IBC365

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Parmar: ‘VR is not a fad like 3D was, it’s a lot more tangible’

IO Industries, Bluebell, and Focal Point VR create live dual-8K immersive workflow

French Alps set: KICK

KICK: Writing the rules of high-altitude immersive production

Accelerator Kickstart Day 2026

Kickstart Day 2026: Latest PoCs and partnerships promise most exciting year yet

NUA Students use the Sony Venice on the new virtual production stage at Norwich University of the Arts

Virtual thinking: Is education keeping pace with industry requirements?

Accelerating Innovation Podcast, Ep 9: Spotlight on Shure – Associate Sponsors

Touch the future: Immersive video will soon make its presence felt

Behind the Scenes: The Lost Bus

Behind the scenes: The Lost Bus

Latest from Dolby designed to transform sports streaming experience

How loud can you stream? Why sound levels are back on the agenda

spectralayers 12

Precision in post: Stem separation and spectral editing

gray black red modern car photo collage facebook post (Presentation) - 5

Indie partnership to bring next-gen immersive storytelling to London’s Science Museum

Immersive tech – Tutorial, Ep 3: How to get started with immersive audio

AI in audio for measuring crowd engagement

AI – Tutorial, Ep 2: How to unlock the power of AI in audio

Behind the Scenes: Nickel Boys

Behind the Scenes: How sound and vision get under the skin in Nickel Boys

“We are aiming to bring high personalisation, advanced segmentation, and DAI into broadcast, closing the gap with digital streaming services

How Brazil’s TV 3.0 will help “close the gap” between broadcast and digital streaming

Native Dante compatibility comes HOME

Revolutionary AI Dubbing solution for record studios and translation agencies