The technology landscape is constantly evolving, introducing new products, defining smarter production processes and offering fresh approaches to traditional ideas.
As the IBC2023 panel ‘Plotting the Effects of Disruption’ suggests, the broadcast, entertainment and media industries have never been so exciting, increasingly transformed and redefined by new technologies like the five we’ve listed below. It’s a list that obviously starts with…
1. Artificial Intelligence (AI)
Artificial Intelligence and Machine Learning are already deeply embedded in a host of modern media production scenarios: Today, AI algorithms and machine learning are already helping to suggest and create new content from archive resources, auto-check technical video standards, provide auto-dubbing and auto colour grading functionality, optimise ad placement and create searchable metadata (through image and speech recognition). The BBFC is...
You are not signed in
Only registered users can read the rest of this article.
IBC Accelerator: Bringing order to the studio selection process
A new project, kickstarted and nurtured as an IBC Accelerator, aims to deploy digital twin technology to streamline discoverability of the UK’s studio space and help producers make smarter, more sustainable choices.
Media over QUIC: M&E's transport revolution has arrived
For media companies preparing for the next decade of streaming, MoQ may be the most important standard they haven’t yet deployed.
Crystal Clear: Boosting speech intelligibility in media
For an issue that affects almost every television viewer, dialogue intelligibility remains surprisingly difficult to define.
IPMX, ST 2110, and the battle for the network
As the reach of the IP Media Experience (IPMX) initiative continues to grow, David Davies looks at the origins of the initiative, the areas it has achieved greatest traction to date, and what the future might bring.
Wimbledon 2026: ESPN gears up for record breaking year
ESPN is the biggest international broadcaster for Wimbledon for which it is paying around $95m annually for exclusive rights in the US until 2035 (from 2024). It’s a vital partner to the All England Lawn Tennis Club (AELTC) which own the Championship and which manages the host broadcast internally under Wimbledon Broadcast Services (WBS).


.jpg)
