Adobe says it has worked closely with professional video creators to advance the Firefly Video Model with a particular emphasis on generative editing, reports Adrian Pennington.
Adobe has progressed its generative AI video product with further tools to enhance the editing process launching in beta.
First previewed earlier this year, the Firefly video model’s capabilities launching in beta this week are designed to help video editors fill gaps in a timeline and add new elements to existing footage.
“Video is hard,” says Alexandru Costin, Vice President, Generative AI and Sensei at Adobe. “We’ve been working on it for a while but we weren’t happy with the quality. Our research department has done wonders to handle 100 times more pixels, 100 times more data using thousands and thousands of GPUs to make sure we master the research. We’re now proud of the quality we’re delivering.”...
You are not signed in
Only registered users can read the rest of this article.
Broadcast AV design brings Blockchain show to life
Tasked with running two simultaneous live broadcasts from the Blockchain Life trade show in Dubai, Oasis Studio looked to create a flexible, redundant production workflow, offering a timely showcase of broadcast AV systems in action.
Poacher turned gamekeeper: Netflix rules, for now
Netflix raids Hollywood to land a giant of old media, but having offered billions over the odds for ageing IP, would a smarter play have involved the creator economy?
Truth in the age of deepfakes: Building trust in the human-machine era
As deepfakes become prevalent throughout the media industry, experts at the BBC, Guardian, and ITN wrestle with the implications of today’s unprecedented levels of disinformation and distrust.
Rory Peck Awards: Truth has never needed its defenders more
This year’s Rory Peck Awards was an affirmation that press freedom is in severe danger, that it has become a vicious fight to sustain that facts matter. George Jarrett reports.
Camerimage: “The time to be afraid of AI was two years ago”
The festival of cinematography remains political with the rise of AI and gender equality bubbling beneath the surface.



