While the two frontrunners in the NGA codec stakes are similar in many ways, a comparison of their background and frame of reference gives some interesting insights, writes John Maxwell Hobbs.
The two leading implementations of Next-Generation Audio (NGA) are Dolby AC-4 and MPEG-H 3D audio. Although they are both based around a central set of recommendations from the ITU, they have different origins, advantages, and limitations.
Dolby AC-4 vs MPEG-H 3D Audio: Background
Multi-channel audio broadcasts have been around since 1881, when Clément Alder connected pairs of telephone lines to send stereo audio from the Paris Opera to rooms at the Paris Electrical Exhibition. Between 1890 and 1932, audio programmes using this technology were commercially available in France and England. Since that time, broadcasting has gone from a single audio channel to as many as 22...
You are not signed in
Only registered users can read the rest of this article.
.png)
Video replicants and the drive for ethical LLMs
Image generators such as Veo 3 can now convincingly simulate human emotions, interactions and voice but the speed of development leaves production companies crying out for ethical LLMs.
Is ORS and Insys’ Big Blue Moonshot a Sign of Service Provision to Come?
Big Blue Marble is a new joint venture between ORS Group and Insys Video Technologies, whose mission is to ‘create a connected world where accessing media is simple, secure, and inclusive for all’. At a time when global demand for digital video is on the rise and broadcasters seek new ways to diversify their revenue streams, does such a proposition meet the moment? James McKeown finds out.
Esports World Cup plans biggest video game tournament ever staged
Returning to Riyadh this month for its second outing, the Esports World Cup is being billed as the most ambitious and technologically advanced global competitive event in history.
.jpg)
The Lobby: Levelling the playing field in esports
With diversity, equity and inclusion at its core, Guild Esports has continued to build on its community-focused programmes, helping to create a welcoming and respectful environment for all gamers. Ivan Simic reports.
Content Everywhere: Accelerating towards IBC2025
Content Everywhere companies are already in planning mode for this year’s IBC, which takes places as usual at RAI Amsterdam in September. Some will also have been working on, or at least taking note of, projects included in the event’s Accelerator Programme, the 2025 iteration of which began last October with a call for challenges, followed by Kickstart Day in February.
