When it comes to producing an eye-catching spectacle, esports companies have come a long way since the early days of small-scale tournaments and low production values. Today, a regular production for a high-tier tournament has dozens of people taking part, and using some of the most high-tech products available.
To understand more about the progressive trends that shape up esports production, we spoke to Fabian Leimbach, the Senior Director of Broadcast Engineering at the ESL FACEIT Group, competitive games and esports company, and Leon Herche, Head of Creative Production at bright! Studios, a visual design and AR studio.
Humble beginnings to mass distribution
“The esports production sector has changed significantly in the last couple of years,” said Leimbach, with the biggest changes apparent in the levels...
You are not signed in
Only registered users can read the rest of this article.
TV: The Bigger Picture – “Measurement is valuation”
DTG’s annual TV: The Bigger Picture conference predicted an upcoming measurement war and stressed the importance of inclusivity in the rush for greater technological adoption. George Jarrett reports.
Creative Cities Convention: “See your background as an asset”
The Creative Cities Convention in Liverpool, UK, featured a range of highlights, including the first public speech from Channel 4’s new CEO, strategies to strengthen working-class voices, and the latest updates on a burgeoning regional production base.
Closing the security execution gap: “We are in a crisis… we collectively need to be aware”
Gathering at an IBC Roundtable, the industry’s top security experts confronted the 2026 TPN Star Report’s urgent results, the sharp increase in threat exposure, and the missing execution step for broadcasters, studios, and service providers alike.
The dish is not dead: Why the future of TV delivery is hybrid
IP is clearly gaining ground. Yet, infrastructure and distribution specialists suggest that it’s no silver bullet for the reliable, personalised, instantaneous delivery that today’s audiences demand. In this context, has satellite lost relevance, or is it simply no longer the only player in orbit?
World AI Film Festival: “There is no emotion in AI”
The World AI Film Festival fielded new and established storytelling voices, but the jury is out on whether AI can capture the human spirit of cinema. Adrian Pennington reports.
