The festival of cinematography remains political with the rise of AI and gender equality bubbling beneath the surface.
Having been overshadowed by charges of a lack of female representation and disrespect to female filmmakers last year, Camerimage 2025 looked to set the record straight. The award of the Golden Frog to a female-directed, female-photographed film about heroic female hospital workers by a female jury chief (New Zealand DP Niki Caro) was a pointed riposte to (continuing) rumbles about the lack of female representation in the industry and at this festival in particular...
You are not signed in
Only registered users can read the rest of this article.
.jpeg)
ProAV convergence: From control rooms to experience centres
Broadcast and proAV technologies are converging, creating flexible experience centres that can serve remote and on-demand audiences from shared production infrastructure.
Beyond the broadcast: Creating modern, multi-platform experiences
As audiences move between television, mobile, social, and immersive platforms, media organisations must create connected experiences that expand engagement without multiplying production costs.
.jpg)
Streaming’s discovery problem: Who will fix viewing fragmentation?
As the number of services and viewing options has grown, audiences have more choice than ever. Yet, for viewers, finding something to watch is often still an exercise in frustration.
.jpg)
Call my agent: Agentic AI begins buying media advertising
AI agents have the potential to automate media transactions at scale, but today’s focus is less about fully autonomous workflows and more on experimentation and efficiencies.
.jpg)
NAB Show New York: The stakes could not be higher
As media, technology, and politics become increasingly intertwined, the stakes extend far beyond the balance sheet.
.jpg)
 (1).jpg)