Features

The Stamping Your Content (C2PA Provenance) project aims to provide open-source tools to enable media organisations and media consumers to verify the authenticity of content of all types.

Remote production takes centre stage as Sky teams up with Stan Sport to deliver UHD footage at the heart of the action.

Image generators such as Veo 3 can now convincingly simulate human emotions, interactions and voice but the speed of development leaves production companies crying out for ethical LLMs.

Big Blue Marble is a new joint venture between ORS Group and Insys Video Technologies, whose mission is to ‘create a connected world where accessing media is simple, secure, and inclusive for all’. At a time when global demand for digital video is on the rise and broadcasters seek new ways to diversify their revenue streams, does such a proposition meet the moment? James McKeown finds out.

The VFX blockbuster opts for an old school production by shooting extensively on location and on film.

Returning to Riyadh this month for its second outing, the Esports World Cup is being billed as the most ambitious and technologically advanced global competitive event in history.

A hybrid remote and on-site production with Sunset+Vine, editorial about alpine bees and a deluxe Swiss chalet on the banks of Lake Lucerne. The BBC is ready for the Lionesses to defend their trophy.

How wind tunnel data, official route topography, multi-screen live feeds and 21 daily outside broadcasts combine to bring the most brutally mountainous Tour De France ever to cycling fans on their sofa.

With diversity, equity and inclusion at its core, Guild Esports has continued to build on its community-focused programmes, helping to create a welcoming and respectful environment for all gamers. Ivan Simic reports.

Netflix's latest police procedural is a love letter to hardboiled noir and classic British TV crime drama, says showrunner Scott Frank.