Features

It seems unlikely that Mark Gatiss would ever get angry but mention ‘cosy crime’ and the Sherlock creator exhibits mild exasperation.

RD Studios’ new live-action children’s TV series – which itself has a sustainability theme – has been made using 100% recyclable sets, writes David Davies.

F1: The Movie gives the sensation of racing at 200mph from a driver’s eye view thanks to two sets of new cameras custom-engineered for the film.

The recent Global Esports Industry Week (GEIW) and BLAST.tv Austin Major provided a real-world insight into the relationship between esports content production and high-end broadcast. Ivan Simic reports.

The Master Control Cloud project, part of the 2025 IBC Accelerator Media Innovation Programme, aims to build a proof-of-concept system that reimagines the traditional broadcast master control room as a scalable, cloud-native service.

In just a few weeks’ time, the global media and entertainment industry will convene at the RAI in Amsterdam for this year’s IBC. As usual, technology innovations and new business models will be on show, along with the usual presence of informative and influential speakers.

Favoriz Production used Haivision technology for agile live production in the French Alps – a landscape with limited 4G coverage and no public IP infrastructure.

Celebrating its 40th anniversary, Live Aid made an impact in the summer of 1985 that continues to be felt today. Kevin Hilton explores the background to the seminal charity concert and hears from those who made the broadcast happen.

SVT’s all-software approach to covering the Winter Olympics looks to provide a new blueprint for broadcast operations.

Podcasting has changed markedly since the early days of iPods and MP3 files, as the democratisation of high-end video technology and evolving consumer habits have ushered in a new age of video-first formats. James McKeown discusses the landscape with the UK’s leading podcast producer, Goalhanger.