Features

The year has barely started, but the tech world has already begun another annual rotation in the form of the perennial Las Vegas consumer technology launchpad, CES2024, writes Mark Mayne.

It’s no surprise that uses of AI are top of the agenda for media organisations in the next 12 months but so too is a drive to enhanced monetisation over Connected TV, mining niche sports, warnings of job ‘replacements’ and, notably, fewer calls for sustainability. Here are a selection of vendor responses for what to look for in 2024.

Soccer leads women’s sports into bidding wars, AI driven by the market, an Olympics in front of crowds and opportunities for the neurodiverse – all trends to spot in the new year, predicts Adrian Pennington.

With streamers under pressure from investors to slash costs and turn a profit the decade of rampant content spend is over. Appetite for new shows remains high however if producers can find the right project to sell them, reports Adrian Pennington.

A fireside conversation with a recent Rise Women in Broadcast Award nominee provided a host of key insights into the strategies of effective leadership that provide food for thought into 2024 and beyond, reports Mark Mayne.

The rapid but unpredictable rise of AI is making it harder than ever for companies in broadcast & media to predict their future skills requirements – but that shouldn’t be a reason to fall into despondency, discovers David Davies.

Few advancements could cause both the excitement and fear AI elicits - according to some, it’s the solution to humanity’s problems. Others will tell you it’s the beginning of the end of civilisation as we know it. Andrew Williams investigates.

As the year draws to a close, it seems an opportune time to ask Content Everywhere companies for their views on the top trends in 2023. As always, key industry players have been keen to respond with comments on how the past year shaped up both for them and the wider industry.

In Ridley Scott’s bio-epic Napoleon we see the French general at the battles of Austerlitz and Waterloo, in his tent, standing outside his tent, on a horse – waiting, waiting, waiting, writes Adrian Pennington.

This year’s report to end all reports on sustainability in production dissects industry data, finds the root causes and predicts a path to NetZero. albert, the BAFTA-owned sustainability organisation’s Annual Review 2022, proves the industry’s commitment and identifies the key hurdles to be overcome in the move towards a more sustainable future.