The launch of the MXL project under the Linux Foundation looks to provide a pivotal shift in how media workflows operate, solving fundamental inefficiencies and incompatibilities that have long plagued digital media infrastructure.
For Ben Wheatley’s experimental, low-budget ‘midnight movie’, DoP Nick Gillespie incorporated a mix of formats, DIY effects, and back projection techniques to evoke classic cinema.
Over 43,858 people from 170 countries came to IBC2025, and the show also attracted more than 1,300 exhibitors and over 600 speakers. Meanwhile, the Content Everywhere section of the event remains a critical part of the IBC programme.
Bringing Minecraft’s blocky universe to the big screen required more than traditional set design. For the live-action adaptation, Disguise created immersive real-time environments, supporting everything from shot planning to stunt choreography while preserving the game’s signature aesthetic.
At an IBC2025 roundtable, media and entertainment leaders shared the key challenges they face in the implementation of AI, as they sought to better understand and tap into the technology’s potential across a range of applications.
The A1 Adria League is one of the largest esports leagues in the Balkans, but also one with very deep ties to grassroots esports. IBC365 takes a behind-the-scenes look at the league today, its history, and its ongoing effect on the regional scene.
The fate of public service broadcasting was transmuted into an existential threat to British culture, politics, and prosperity at the RTS Cambridge Convention.
IBC Conference: Hogarth Worldwide’s Francisco Lima and Orange Logic’s Jim Cavedo discussed the ways genAI is already changing creative production – and why the real breakthrough comes when it’s paired with a strong DAM foundation.
Cinematographer Callan Green breaks down the colourful visual aesthetic of the action-comedy sequel Nobody 2.
The annoyance of fluctuating sound levels on TV was part of the viewing experience for decades, but a concerted effort by standards bodies had made those difficulties a thing of the past. Now, old problems have begun to resurface in the new OTT landscape.
