The countdown is on for the Paris Olympic Games, which begin on 26 July and run until 11 August. As well as a showcase for sporting prowess and achievement, the event also presents a huge opportunity as well as a challenge to those responsible for ensuring every moment is captured and broadcast to viewers around the world, with streaming services set to play an increasingly important role.
Indeed, Rick Young, SVP and head of global products at LTN, believes that the Olympics “promises to be a real watershed moment for streaming live sports”, while Rory Renwick, business development director at Accedo, says streaming is set to be a fundamental part of the Olympics, “with key stakeholders, Olympics Broadcasting Service (OBS), Intel, NBCUniversal, Warner Bros Discovery, and France Télévisions using streaming and next-generation initiatives to take Olympics coverage to a whole new level”.
The streaming opportunity
Jakub Kruczkowski, strategic business manager at Spyrosoft BSG, which until recently was known as Better Software Group, agrees that the Olympics are shaping up to be an important event for the evolution of streaming technology in sports broadcasting...
You are not signed in
Only registered users can read the rest of this article.
Network Control: Turning 5G into a production tool
Speed, flexibility, and reliability – that’s the dream for many a live production. However, when public network coverage is patchy, what’s a broadcaster to do? The 2026 Accelerator Project, Network Control, deploys standardised network APIs to tackle this problem head-on.
Film University Babelsberg to preview immersive Auschwitz project at IBC2026
Film University Babelsberg Konrad Wolf will present an immersive digital reconstruction of a little-known site associated with Auschwitz at IBC2026, as part of EIT Culture & Creativity's first major presence at the show.
Innovation Awards: Investigating 2026’s Content Creation finalists
What does it take to win a technological innovation award in content creation? Fergal Ringrose, Chair of Judges for the IBC Innovation Awards, assesses the top three projects in the running – revealing the key characteristics of each of the most competitive submissions.
Branded entertainment: Money, freedom, and audiences unite
As traditional broadcasters battle decreasing budgets and attention spans, brands have come to the fore as collaborators in an increasingly lucrative and creatively fertile strand of the media business.
FRAMES: Automating the archive end-to-end
Despite the availability of hundreds of generative AI tools, pre-production environments are still struggling to find a semantic archive search solution that is technically feasible and effective in the real world. Enter FRAMES.



