Given the chance to shoot the 18th century action-drama Bedlam, Cinematographer James Butler crafted a daring project that merged medium-format photography with cutting-edge digital cinema on a customised Blackmagic URSA Cine 17K 65.
James Butler’s professional journey has a cinematic energy all of its own. His early career saw him serve as a Cameraman for CBS News in conflict zones, including Iraq, Syria, Afghanistan, and Ukraine, after which he moved into the slightly slower-paced world of documentary productions. Projects such as Chain of Command for National Geographic followed, the scale and scope of which whetted his appetite for longer-form features.
You are not signed in
Only registered users can read the rest of this article.
Esports World Cup: “Mainstream media is a big part of this now, we have to deliver enough content”
A last-minute pivot to Paris brought its own set of challenges as ESL FACEIT assembles the world’s largest esports event. Adrian Pennington reports.
Behind the Scenes: The Odyssey
Art and technology combine for epic storytelling, if you believe the marketing for Christopher Nolan’s latest.
Behind the scenes: Spider-Noir
The Marvel universe series is designed to work both as a gritty monochrome detective story and as a stylised, visually saturated comic book world.
Behind the scenes: FIFA World Cup 2026
Time-zone differences, travel demands, and the geographic spread of host cities are forcing FIFA’s host broadcast and rights holders to rethink traditional production approaches.
Behind the scenes: Eurovision Song Contest 2026
What began as a technical experiment in 1956 is now a global cultural institution reaching approximately 170 million viewers on TV across three live shows and generating billions of views on digital platforms. IBC365 gets a tour backstage in Vienna.
.jpg)