LED walls, virtual floors and AR politicians to engage audiences like never before as part of broadcaster’s comprehensive election night coverage.
The hub of Sky’s Election Night is Sky Studios’ Studio 4 commonly used for Monday Night Football (MNF), Formula 1, NFL and boxing. Described by Ben Fisher, Head of Sky News Studio Output as “a 360-degree immersive space making a brilliant canvas for storytelling and data,” he explains that “as soon as we saw it on air we thought, hang on a minute, this is built for an election.”
Zonal marking
Sky News has split the studio into four zones. The large curved LED which acts as the backdrop for MNF will be the main presentation space for anchors Kay Burley, Beth Rigby, and Trevor Phillips, with Andy Burnham and Ruth Davidson as pundits. This will feature a screen dubbed the ‘window to the world’, featuring a mosaic of live feeds from 102 constituency counts.
The central zone is referred to as the ‘disco floor’, filled with a giant virtual map of the UK populated by results through the night. Ed Conway, Sky News’ Economics and Data Editor, will head this analysis zone and be able to call up AR characters such as MPs Grant Shapps and Penny Mordaunt.
“One of our big reveals on the night is we’ve made a life-size AR model of Rishi Sunak and Keir Starmer,” Fisher says. “You know when you see AR footballers appear to walk out and make a gesture? Well, we got [the party leaders] to do that while they were in Grimsby for our leader’s debate on June 12.
“We’ve made a full-size 360 model of them. Their eyes will follow you around the room, the camera can get up close and personal. They’ll pop up variously through the night...
You are not signed in
Only registered users can read the rest of this article.
Innovation Awards: Social Impact finalists deep dive
From UN-led dialogues on AI safety and ethics to automatic broadcast-grade sign language for live streaming, the Social Impact category is a tight race. Fergal Ringrose, Chair of Judges for the IBC Innovation Awards, analyses the judging panel’s top three competitors.
Workflow transformation: “AI should be for reliability, not creativity”
With AI’s potential reach in broadcast and media growing all the time, David Davies speaks to leading companies about their adventures in AI and uncovers why they believe the greatest potential resides in humans’ full creative control over the new toolsets.
IBC Content Everywhere: AI gets a reality check at IBC2026
From increasingly sophisticated monetisation strategies to progressively flexible business models, Content Everywhere companies map AI’s influence on the media industry and reveal their technological forecasts for IBC2026.
Content Everywhere stages: Groundbreaking tech and real-world results converge
IBC2026’s Content Everywhere hub in Hall 5 will host nearly 200 exhibitors showcasing multi-platform delivery and monetisation innovations, alongside two stages of panel discussions and live demonstrations.
From AI production to immersive media: European innovators to watch at IBC2026
From generative production and AI-powered post-production to content discovery, immersive experiences and next-generation imaging, a group of EIT Culture & Creativity-backed ventures arriving at IBC2026 offers a snapshot of where European media innovation is heading next.
.jpg)


