Like it or not, we are potentially only months away from the first AI-generated feature film, and Jason Zada of Secret Level could be the one to deliver it.
Towards the end of 2024, a film called The Heist, clocking in at less than two minutes long, re-ignited debate about the potency of AI in Hollywood.
It was created in just a few days with visuals entirely generated via text-to-video in Google’s Veo 2 platform...
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Adam Waters, BFBS: “You’re ignoring one of the biggest media types in the world”
One week into his newly created role as Director of AI Culture and Gaming at the British Forces Broadcasting Service (BFBS), Adam Waters sits down with IBC365 to reveal his plans to take the organisation into the next era of broadcasting.
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Jeff Ulin: “The remote? So old school”
Following the release of the fourth edition of his book The Business of Media Distribution, Jeff Ulin looks back on his 25-year journey through the industry – and ahead to the world of AI.
BFBS: “I’ll admit, it’s interesting we’ve taken that decision”
Fresh off a 10-year contract renewal with the UK’s Ministry of Defence (MOD), Ben Chapman, CEO of BFBS, divulges how the organisation is revamping its media services to the world’s most remote locations and reveals an exclusive on the forthcoming appointment of a Director of AI Culture and Gaming.
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Mathieu Kassovitz tells filmmakers: “Adapt or die”
The French Director and Actor has ditched CGI for AI in his next film, saying AI is part of the creative dialogue.
Matthew Celia: “I view immersive as the last refuge of focused entertainment”
Matthew Celia, Co-Founder and Creative Director of immersive studio Light Sail VR, reveals how he leveraged the magic and psychology of VR to deliver a live, Emmy-winning 3D 360° production of Saturday Night Live, and where he expects the technology to go next.
